Spirit Slate Writing and Kindred PhenomenaSoo, Chung Ling
Philosophy
Spirit Slate Writing and Kindred Phenomena
Soo, Chung Ling
Magic tricks; Spiritualism
A clever trick employed to deceive me on one occasion was as
follows: I was handed a slate and a damp sponge, with a request to
cleanse the slate. I did so, and handed it back to the medium, who
held it in plain view in one hand. In a short time the slate was
given back to me with writing on it that could not be produced by
any of the methods I was already acquainted with. I witnessed this
test a second time, and it was only by accident that I discovered
it, and all through the breaking of a string, to which the device
employed was attached. The apparatus was a strip of narrow wood,
nearly the length of the slate. Glued on it were raised letters of
cork (felt would do also). These letters were in reverse, and were
well rubbed with soft chalk. This strip of wood was attached to
a cord running up the left sleeve, across the back, and down the
right arm-hole, and thence under the vest and the end fastened to
a button. The length of the string allowed the wood to hang behind
the slate when held in the left hand. To keep the wood up in the
sleeve until wanted, there was a loop on the string far enough
up to suit the purpose. This loop was slipped over the button,
where it could be easily detached with the right hand. The sponge
was soaked in water containing alum, which makes the chalk adhere
better to the slate. When the slate was handed to the medium, he
held it downward in his left hand, and allowed the strip of wood
to slip down behind it, when it was pressed firmly against the
surface of the slate, and then pulled up into the sleeve again out
of sight. This same idea has been utilized in using a blotter, the
same as is used for ink, to dry the slate with. The blotter has the
writing done on it with chalk, thus doing away with the strip of
wood.
Take a slate and cover it with writing on one side. Cover this
writing with a piece of slate-colored silk, held in the corners
lightly with wax. At one end of this silk have a few minute hooks.
The slate is now cleaned on both sides, and, placing the slate on
the floor, the piece of silk is allowed to attach itself by means
of the hooks to the medium’s pants, or dress, as the case may be,
thus leaving the slate devoid of trickery. It is hardly necessary
to remark that the slate is placed on the floor written-side
downward.
[Illustration: Fig. 16.--The Caustic Trick Pencil.]
Public-domain text, read in full here on John Shaqi.
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