Spirit Slate Writing and Kindred PhenomenaSoo, Chung Ling
Philosophy
Spirit Slate Writing and Kindred Phenomena
Soo, Chung Ling
Magic tricks; Spiritualism
All that remains to be explained is the working of the sounder. It
is very simple. In the first place, the lid and box are hinged so
as to be hinge bound; that is, they will not, of their own weight,
quite touch each other, possibly about an eighth of an inch, or
less, apart. But by the pressure or weight of the hand they will
come together. Now, the telegraph key, like all such instruments,
is provided with a tension screw, which can be screwed one way
or the other. When the medium desires his instrument to work, he
raises this tension screw, to which is fastened the button of the
key, just high enough to touch the lid on the inside of the box
when it is closed of its own weight. Now, when the hand is resting
on the box, he proceeds to make the sounder “speak” at will, with
no perceptible movement of his hand. A simple muscular contraction
of the palm of the hand, which cannot be detected, is sufficient
to control the sensitive key, by pressure of the box cover on it.
The whole thing is so simple, and at the same time puzzling, that
it makes one laugh to think how little it takes to make a fool of
a man.
In the case of this medium, the head of the tension screw was
brass, and left a brassy mark on the slate top. He soon observed
this, and changed it for a hard rubber one, which left no telltale
marks behind. Sometimes he did not raise the tension screw, but
laid the folded paper the question was written on on top of
it. This made up the required height. Other mediums improved
on the above method by working the key through the box by an
electro-magnet concealed in the table top. The current to the
magnets was turned on and off, or broken, as the line is used, by
means of a small button in the body of the table, pressed by the
medium’s leg. This method allowed him to keep his hand off the box.
The raps, or noises, are produced in various manners. Press your
boot heel gently against a table leg. The slipping of the leather
against the wood makes perfect spirit raps, wood being a good
conductor of sound. The raps apparently come from the table top if
attention is directed in that direction. Some mediums, with the
tips of their fingers pressed firmly on a table top, slip them,
by a dexterous movement, along the varnished surface, thus making
very fair examples of raps or thuds. Some mediums, in their own
homes, have tables provided with electro-magnets concealed in them,
by which the knocks are accomplished. Medical experts claim that
a very good result can be obtained by the mere displacement of
the tendons of the muscle called _peroneus longus_, in the sheath
in which it slides behind the external _malleolus_. Others again
produce it by snapping the toe or knee joints. Watch a boy some
day as he snaps his finger joints, and if he were to rest his
elbows on the table while doing so, the sound would be intensely
strengthened.
CHAPTER VI.
SPIRITUALISTIC TIES.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account