Spirit Slate Writing and Kindred PhenomenaSoo, Chung Ling
Philosophy
Spirit Slate Writing and Kindred Phenomena
Soo, Chung Ling
Magic tricks; Spiritualism
The handcuff trick is always a great favorite with the medium. He
has no objection to placing his hands in any pair of handcuffs
furnished by the audience. A few moments after he has entered the
cabinet, he begins throwing out various articles of clothing; but,
on examination, the handcuffs are found to be still on his wrists.
It is impossible to see how he could have taken off his coat.
As a final test the medium comes out of the cabinet holding the
handcuffs in his hand still locked. There are only a few styles
of handcuffs made, and all the medium has to do is to secure the
proper key for each style. He conceals these keys on his person,
and by the aid of his fingers and teeth the proper key can be
fitted to the handcuffs. It is impossible, with some types of
handcuffs, to get the fingers to the keyhole. If such a pair are
placed on the performer, and he cannot use his teeth to hold the
key, he slips the key into a convenient crack in the cabinet or in
the chair. The lock of the handcuffs being forced on to the key,
the handcuffs can then be readily unlocked.
The spirit collar is also a favorite instrument of the medium. It
consists of a brass collar which fits closely about the performer’s
neck. Through the openings in the end of the collar, is placed a
chain. After the collar is on the performer’s neck, the chain is
placed around a post and carried back and through the padlock used
to lock the collar. By this arrangement the performer is securely
fastened to a post; but after he is concealed by the use of any
convenient means, he suddenly appears before the audience minus
the collar, while the collar will be found locked, as before. The
trick depends for its success on the series of bolts with which the
collar is studded. The bolts, with one exception, are all false,
being pieces of metal simply screwed into the top and bottom of the
collar, and not penetrating through them. One bolt, however, passes
through the collar and engages the two parts thereof; the parts
terminate in a tongue which fits in the socket in the other half
of the collar. The bolt passes through this tongue so accurately
that there is no danger of its being removed with the fingers. The
performer uses a small wrench to remove the bolt.
Public-domain text, read in full here on John Shaqi.
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