Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
From the time when 'Don Quixote' first opened my eyes to an imaginative
world outside myself, I had read hungrily; but another world was also
opened to me when I was about sixteen. I had been taught scales and
exercises on the piano; I had tried to learn music, with very little
success, when one day the head-master of the school asked me to go into
his drawing-room and copy out something for him. As I sat there copying,
the music-master, a German, came in and sat down at the piano. He played
something which I had never heard before, something which seemed to me
the most wonderful thing I had ever heard. I tried to go on copying, but
I did not know what I was writing down; I was caught into an ecstasy,
the sound seemed to envelop me like a storm, and then to trickle through
me like raindrops shaken from wet leaves, and then to wrap me again in a
tempest which was like a tempest of grief. When he had finished I said,
'Will you play that over again?' As he played it again I began to
distinguish it more clearly; I heard a slow, heavy trampling of feet,
marching in order, then what might have been the firing of cannon over a
grave, and the trampling again. When he told me that it was Chopin's
Funeral March, I understood why it was that the feet had moved so
slowly, and why the cannon had been fired; and I saw that the melody
which had soothed me was the timid, insinuating consolation which love
or hope sometimes brings to the mourner. I asked him if he would teach
me music and if he would teach me that piece. He promised to teach me
that piece, and I learned it. I learned no more scales and exercises; I
learned a few more pieces; but in a little while I could read at sight;
and when I was not reading a book I was reading a piece of music at the
piano. I never acquired the technique to play a single piece correctly,
but I learned to touch the piano as if one were caressing a living
being, and it answered me in an intimate and affectionate voice.
Books and music, then, together with my solitary walks, were the only
means of escape which I was able to find from the tedium of things as
they were. I was passionately in love with life, but the life I lived
was not the life I wanted. I did not know quite what I wanted, but I
knew that what I wanted was something very different from what I
endured. We were very poor, and I hated the constraints of poverty. We
were surrounded by commonplace, middle-class people, and I hated
commonplace and the middle classes. Sometimes we were too poor even to
have a servant, and I was expected to clean my own boots. I could not
endure getting my hands or my shirt-cuffs dirty; the thought of having
to do it disgusted me every day. Sometimes my mother, without saying
anything to me, had cleaned my boots for me. I was scarcely conscious of
the sacrifices which she and the others were continually making. I made
none, of my own accord, and I felt aggrieved if I had to share the
smallest of their privations.
Public-domain text, read in full here on John Shaqi.
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