Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
At night, after supper, the others used to sit around the table, talking
eagerly. Esther would get up and draw her chair into the corner by the
door, and for a time she would watch them, as if she were looking on at
something, something with which she had no concern, but which interested
her for its outline and movement. She saw her father's keen profile, the
great, hooked nose, the black, prominent, shifty eye, the tangled black
hair straggling over the shirt-collar; her mother, large, placid, with
masses of black, straight hair coiled low over her sallow cheeks; the
two sisters, sharp and voluble, never at rest for a moment; the brother,
with his air of insolent assurance, an immense self-satisfaction hooded
under his beautifully curved eyelids; the grandmother, with her bent and
mountainous shoulders, the vivid malice of her eyes, her hundreds of
wrinkles. All these people, who had so many interests in common, who
thought of the same things, cared for the same things, seemed so fond of
one another in an instinctive way, with so much hostility for other
people who were not belonging to them, sat there night after night, in
the same attitudes, always as eager for the events of to-day as they had
been for the events of yesterday. Everything mattered to them
immensely, and especially their part in things; and no one thing seemed
to matter more than any other thing. Esther cared only to look on;
nothing mattered to her; she had no interest in their interests; she was
not sure that she cared for them more than she would care for other
people; they were what she supposed real life was, and that was a thing
in which she had only a disinterested curiosity.
Sometimes, when she had been watching them until they had all seemed to
fade away and form again in a kind of vision more precise than the
reality, she would lose sight of them altogether and sit gazing straight
before her, her eyes wide open, her lips parted. Her hand would make an
unconscious movement, as if she were accompanying some grave words with
an appropriate gesture; and Becky would generally see it, and burst into
a mocking laugh, and ask her whom she was mimicking.
'Don't notice her,' the mother said once; 'she's not a human child,
she's a monkey; she's clutching out after a soul, as they do. They look
like little men, but they know they're not men, and they try to be;
that's why they mimic us.'
Esther was very angry; she said to herself that she would be more
careful in future not to show anything that she was feeling.
Public-domain text, read in full here on John Shaqi.
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