Great Britain -- Social life and customs -- 19th century -- Fiction; Short stories
It was a bedroom; a woman, with her bodice off, was making-up in front
of the glass, and in a corner, with the clothes drawn up to his chin, a
man lay in bed. The cheeks were covered by a three days' beard; they
were ridged into deep hollows; large eyes, very wide open, looked out
under a mass of uncombed hair, and as the face turned round on the
pillow and looked at me without any change of expression I recognised
Peter Waydelin. The woman, seeing me in the glass, nodded at my
reflection, and said, as she drew a black pencil through her eyelashes:
'You'll excuse me, won't you? I have to be at the hall in ten minutes.
Don't stand on ceremony; there's Peter. He'll be glad to see you, poor
dear!' She spoke in a common and affected voice, and I thought her a
deplorable person, with her carefully curled yellow hair, her rouged and
powdered cheeks, her mouth glistening with lip salve, her big, empty
blue eyes with their blackened under-lids, her fat arms and shoulders,
the tawdry finery of her costume, half on and half off the body. I moved
towards the bed, and Waydelin looked up at me with a queer, mournful
smile.
'It was good of you to come,' he said, stretching out a long, thin hand
to me; 'Clara has to go out, and we can have a talk. How do you like the
last thing I've done?'
I lifted the drawing which was lying on the bed. It was a portrait of
the woman before the glass, just as she looked now, one of the most
powerful of his drawings, crueller even than usual in its insistence on
the brutality of facts: the crude contrasts of bone and fat, the vulgar
jaw, the brassy eyes, the reckless, conscious attitude. Every line
seemed to have been drawn with hatred. I looked at Mrs. Waydelin. She
had finished dressing, and she came up to the bedside to say good-bye to
Peter. 'Horrid thing,' she said, nodding her head at the drawing; 'not a
bit like me, is it? I assure you none of them like it at the hall. They
say it doesn't do me justice. I'm sure I hope not.' I bowed and murmured
something. 'Good-bye, Peter,' she said, smiling down at him in a kindly,
hurried way, 'I'll come back as soon as I can,' and with a nod to me she
was out of the room.
Peter drew himself slowly up in the bed, pointed to a shawl, which I
wrapped round his shoulders, and then, looking at me a little defiantly,
said: 'My theory, do you remember? of living the life of my models! She
is a very nice woman and an excellent model, and they appreciate her
very much at "Collins's"; but it appears that I have no gift for
domesticity.'
I scarcely knew what to say. While I hesitated he went on: 'Don't
suppose I have any illusions, or, indeed, ever had. I married that woman
because I couldn't help doing it, but I knew what I was doing all the
time. Have you ever been in Belgium? There is stuff they give you there
to drink called Advokat, which you begin by hating, but after a time you
can't get on without it. She is like Advokat.'
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account