English fiction -- 19th century; Short stories, English
"Faster!" I cried, and faster and faster we went, till we reached the
station. Flinging the driver his money, I took a ticket for the first
train, and got in, hot and breathless. As we steamed out of the town,
I saw, from my carriage-window, a neat barouche with a woman and three
men in it, driving quickly along the road, which ran by the railway.
It was my party! Youth is vain, and beauty is powerful. I bared my
head, leaned out of the window, and kissed my hand to the countess.
We were not more than thirty yards apart, and, to my joy, I saw her
return my salutation, with a toss of her head and a defiant glance at
her companions. The colonel sat glum and still; Vooght was biting his
nails harder than ever; Dumergue shook his fist at me, but, I thought,
more in jest than in anger. I kissed my hand again as the train and
the carriage whisked by one another, and I was borne on my way out of
their reach.
CHAPTER II.
At the Hôtel Magnifique.
To a reflective mind nothing is more curious than the way one thing
leads to another. A little experience of this tendency soon cured me of
refusing to go anywhere I was asked, merely because the prospects of
amusement were not very obvious. I always went--taking credit of course
for much amiability--and I often received my reward in an unexpected
development of something new or an interesting revival of a former
episode. It happened, a few months after my adventure at Heidelberg,
that my brother's wife, Jane Jason, asked me, as a favor to herself, to
take a stall at the theater where a certain actress was, after a long
and successful career in the provinces, introducing herself to a London
audience. Jane is possessed by the idea that she has a keen nose for
dramatic talent, and she assured me that her _protégée_ was a wonder. I
dare say the woman had some talent, but she was an ugly, gaunt creature
of forty, and did not shine in _Juliet_. At the end of the second act
I was bored to death, and was pondering whether I knew enough of the
play to slip out without Jane being likely to discover my desertion by
cross-examination, when my eye happened to fall on the stage-box in the
first tier. In the center seat sat a fair, rather stout man, with the
very weariest expression that I ever saw on human face. He was such
an unsurpassed impersonation of boredom that I could not help staring
at him; I could do so without rudeness, as his eyes were fixed on the
chandelier in the roof of the house. I looked my fill, and was about to
turn away, and go out for a cigarette, when somebody spoke to me in a
low voice, the tones of which seemed familiar.
"Ah, impostor, here you are!"
It was Dumergue, smiling quietly at me. I greeted him with surprise and
pleasure.
"How is the baron?" I asked.
"He cheated the--grave," answered Dumergue.
"And the countess?"
"Hush! I have a message for you."
"From her?" I inquired, not, I fear, without eagerness.
Public-domain text, read in full here on John Shaqi.
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