I went home, my eyes almost dazzled with their radiancy, and a week after attempted to work into my curtain something of what I had seen--a feeble reflection, I fear, but still a reflection. In my angels and cherubim I have allowed no greys or browns, no twilight shades. Everywhere I have introduced a pure warm note of intense joyous colour, and if I have not always succeeded, at least the wings of my celestial beings have been a great source of delight to imagine, and to execute. In my colouring it has been always morning. Bess was charmed to run and fetch me the different wools needed--"Summer suns," she called them. I have often noticed that to a young child, pure brilliant colours are an intense joy and a source of gaiety. It is only as the shades of the prison-house draw near, and press upon us, that the lack of appreciation creeps in for what to children and to primitive man is a great and constant glory. That day I was going to embroider some anemones, such as I remembered in the old market-place of Mentone, and a sprig of stocks, such as I recollected once having seen on a drive to Brigg. The eye of the mind can be a great pleasure if properly cultivated. It may not be actually correct, but it can give the soul and the life of things remembered, even through the mist of years. And now one word, dear sister-devotees of the needle, about embroidery. Do not imagine that shading in five or six shades of the same colour, which is the way that nine people out of ten work, is the true and natural one. This only produces a sad and wooden flower, without life or gladness, and conceived and worked amongst the shades of twilight. Take any flower and place it in the sunlight, and you will see in any purple flower, for instance, that there are not only different shades, but different colours--red, mauve, blue, lavender, and violet. I realized as I gazed at my anemone, that it must be embroidered in greyish lavenders, with here and there pure notes of violet with heather tints, in red purples, in greyish whites, and with a vivid apple-green centre. All these were strikingly different colours, but were necessary in the shading to make my blossom look as if it had grown amidst sunlight and shower. I stood my bunch of real flowers in water in as strong a light as possible; as to the sunshine, alas! of that there was but a scanty supply, and I had to imagine that mostly, as also the scent of the orange groves and the thrilling song of the blackcaps overhead, for in our northern world, let it be written with sorrow, many and long are the dull leaden months between each summer. Still light did something, and imagination did the rest. I imagined myself back under the brilliant sky of southern France, and I thought I saw the bowls of brilliant flowers as I had known them, whilst I threaded my needle.