Spring in a Shropshire AbbeyGaskell, Catherine Henrietta Milnes, Lady
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Spring in a Shropshire Abbey
Gaskell, Catherine Henrietta Milnes, Lady
Shropshire (England) -- Description and travel; Wenlock Abby (England)
[Sidenote: HOW COULD I BE SO NAUGHTY?]
"What did you say?"
"Mama, I called out 'damn' three times."
"My dear, what a dreadful word! How did you know it?"
"Oh, once I heard Uncle Paul say it when he ran a nail in his boot;
and once I remembered that Crawley said it when he got his foot
caught in a gate-post out riding, and I have never forgotten it. And
worse," continued Bess, "I called out, 'hell! hell! hell!' and then I
was frightened; but I didn't let Hals see it, or he would have said
girls were only funks after all."
"Well, little girl, you have done wrong, and you know it; for it is
always wicked to curse anybody, and mean to pray that some evil may
befall them. But," I added, as I saw Bess's tear-stained little face,
"I am sure you're sorry; for think what a terrible thing it would be
if anything dreadful happened to Fräulein, and if you thought your
wicked words had brought it about."
Bess's composure by this time had quite broken down, she broke out
into a passionate fit of tears.
"Why don't you beat me, why don't you shake me, or do something?" she
cried.
"My poor little girl," I answered, and I took her in my arms and
prayed God that He would purify my little girl's heart, and give her
a pure white soul.
At last Bess's sobs grew less violent, and she lay quiet.
"Do you feel better now?" I asked.
"Yes," came back from Bess; "for the curses, Mum Mum, seem to have
gone out of the room and to be dying away. Before you came, the whole
place seemed full of them, and eyes, great horrid eyes, seemed to be
looking at me everywhere, and I couldn't rest, do what I would."
"Now you can sleep," I said with a smile, "and I will sit by you till
all the evil spirits are gone, and guard you."
So I sat on without speaking, and held Bess's hands till the dustman
of children's fancy came with his sandbags and threw the sand of
kindly oblivion into my little maiden's eyes, and she fell asleep.
Then softly and as delicately as I could, I untwined the little
network of fingers that had twined themselves so cunningly around
mine, and gave little Bess a parting kiss as I glided out of the room.
When I returned to the chapel hall I found a letter from Constance.
In a postscript she told me that the idea of the quilt was taking
form.
"From 'Gerard's Herbal' I have chosen," she wrote, "the King's
Chalice, or Serins' Cade; the Dalmatian Cap; the Guinny Hen; the
Broad-leaved Saffron; Goat's Rue, or the Herb of Grace; Ladies'
Smock; Golden Mouse-ear; Solomon's Seal; Star of Bethlehem; Sops in
Wine; Ales-hoof; Wolf's Bane and Golden Rod. I give you all the old
names. On a scroll I propose round the quilt or 'bed hoddin,' as
Shropshire folks would call it, to work wise and beautiful words
about sleep;" and her letter ended with an appeal to me, to help her,
by finding some apt saws and quotations for this purpose. Of course I
will; what a delightful excuse for looking through the poets, I said
to myself.
Public-domain text, read in full here on John Shaqi.
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