Circus -- Fiction; Maine -- Social life and customs -- Fiction; Villages -- Fiction
“No, we were talking about young Mayo marrying Damaris Scott,” returned
Phineas, cheerily, “and you were saying, or intimating, that when
two such poor love-sick young critters come to me and want to own the
privilege of walking down life, hand in hand and heart to heart, I ought
first to inventory their property and their prospects.”
The waver in his voice, the depth of his significance was lost on the
old man.
“He gave up a good home, and where did they live the first month after
they were married?” Amazeen struck his hand on his patched knee. “Where
did they live, I say? In one of Bradley’s box stalls that Wat Mayo
tacked burlap ’round to keep out the draughts. And they ain’t much
better off now down in that Sykes’ rent, living on bannock bread and
fighting wharf rats. _There’s_ one of your--“, old Ama-zeen wrinkled
his nose and brought the word out of his nostrils with a sardonic
twist--“_love_ matches, Phin Look, and there’s worse than that on the
docket.”
Amazeen stumped across the room to the front window. “Huh! That’s queer!
He’s coming across the street now,” he said, with a chuckle and a wink
directed at Uncle Lysimachus.
Squire Phin understood why the two old men turned their backs on him,
hunching their shoulders and shaking with suppressed mirth as the
uncertain footsteps of Mayo blundered up the outside stairs.
He was a tall and scrawny young man with black hair parted in the middle
and spatted down on his head, presenting twin surfaces as shiny as the
wings of a beetle. A thin moustache drooped over a weak mouth, and
his eyes had that bland, vacant arch above them that irritates one’s
common-sense. Stupid, smug, self-satisfied, and spoiled--the only child
of the hard-working village carpenter, he had always worn better clothes
than any other boy in Palermo, had never been allowed to work, and had
posed as a village beau. He was just the one to attract a girl fresh
from the half-penal restraint of the State industrial school and “bound
out” as a drudge to a Palermo family.
From the time when Phineas Look began first impatiently to notice the
youth loafing along the street, a cigarette dangling from his lower lip,
the sight made him angry--not with the boy, but with the parents that
were ruining him. Once he had bluntly pitched into Ezra Mayo, and from
the indignant retorts of that fond parent discovered that he vaguely
prized Watson’s stupid idleness as something aristocratic.
The fact that they now referred to this marriage as they would to an
especially sudden and fatal attack of the bubonic plague, and refused to
admit that they still had a son, appealed to the offended lawyer by its
humour rather than otherwise.
Public-domain text, read in full here on John Shaqi.
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