Circus -- Fiction; Maine -- Social life and customs -- Fiction; Villages -- Fiction
The new arrival set his sturdy legs wide apart, threw his cloth cap on
the ground, and bellowed:
“Come out here in the fair and open, where there’s sea-room, you old
woodchuck! Come out and see the mark I’ve lugged for twenty-five years.”
He slapped his hand against his cheek where a scar showed its wrinkled
whiteness across his flushed, brown face.
“Come out!” he bawled.
“Crack ’em down, gents,” squawked the parrot, and he seized a bar of
the cage in his beak and rattled away vigorously.
“Come out!” Willard kept shouting, stamping about on the turf. “If you
ain’t turned coward as well as skin-game thief, come out!” The parrot
interspersed in these invitations his raucous cries.
“Between you and Absalom a man can’t do his chores in much peace,”
calmly said Hiram, appearing in the tie-up door. He stepped into the
yard, set the tip of a long-handled pitchfork in the ground, and leaned
his shoulder against this support.
“You see that, do you?” yelled Willard, striding forward a few steps
and putting a thick forefinger end on the scar. “That’s been there
twenty-five years.”
“Let’s see. You’re Cap’n Klebe Willard, ain’t you?” inquired Hiram,
affably. And a wordless shout answering him, he said:
“Yes, I know you and I know the mark, because I put it there myself for
good reasons.” He looked around at the little group of spectators with
an air of secure triumph.
“And you threw my poor old father over his own fence, you coward, when I
wasn’t there to defend him. Now, Hime Look, you’ve got to meet a man and
not a boy.”
He rolled his sleeves up from his hairy wrists.
“You’ve got to fight a man and fight him in order to pay a bill you’ve
owed here in Palermo for a long time.”
Look still leaned on the pitchfork. “Put down your fork!” bawled the
frenzied skipper, “I’m not one of your tame animals,” and without other
preface he rushed at Hiram.
The showman had been watching him with his sound eye glowing redly, the
glass one glaring impassively. At the skipper’s rush, with the facility
an old circus man displays with a pitchfork, he shortened the handle in
his grasp, speared one tine through the generous cartilage of Willard’s
ear, and before that furious adversary fairly realised what had
happened, he swung him on his heel, forced him back by the pain of the
pierced ear, and then driving the tines into the side of the barn,
set both fists on the end of the handle and had the frantic man a safe
prisoner at the end of the fork. Willard writhed a few times, groaning
as his ear tugged against the steel. Then he stood up, perforce as stiff
as a soldier, and roared at Hiram all the billingsgate of a long coast
“language-artist.” The grim captor simply glared at him until he had
exhausted himself.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account