Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
Mrs. Wood wiped her own eyes, and went back to her weaving; and Edna
turned away from the mill and walked to her deserted home, while the
tears poured ceaselessly over her white cheeks. As she approached the
old house she saw that it was shut up and neglected; but when she
opened the gate, Grip, the fierce yellow terror of the whole
neighborhood, sprang from the door-step, where he kept guard as
tirelessly as Maida, and, with a dismal whine of welcome, leaped up and
put his paws on her shoulders. This had been the blacksmith's pet, fed
by his hand, chained when he went to the shop, and released at his
return; and grim and repulsively ugly though he was, the only playmate
Edna had ever known; had gamboled around her cradle, slept with her on
the sheepskin, and frolicked with her through the woods, in many a long
search for Brindle. He alone remained of all the happy past; and as
precious memories crowded mournfully up, she sat upon the steps of the
dreary homestead, with her arms around his neck, and wept bitterly.
After an hour she left the house, and, followed by the dog, crossed the
woods in the direction of the neighborhood graveyard. In order to reach
it she was forced to pass by the spring and the green hillock where Mr.
and Mrs. Dent slept side by side, but no nervous terror seized her now
as formerly; the great present horror swallowed up all others, and,
though she trembled from physical debility, she dragged herself on till
the rude, rough paling of the burying-ground stood before her. Oh,
dreary desolation; thy name is country graveyard! Here no polished
sculptured stela pointed to the Eternal Rest beyond; no classic marbles
told, in gilded characters, the virtues of the dead; no flowery-fringed
gravel-walks wound from murmuring waterfalls and rippling fountains to
crystal lakes, where trailing willows threw their flickering shadows
over silver-dusted lilies; no spicy perfume of purple heliotrope and
starry jasmine burdened the silent air; none of the solemn beauties and
soothing charms of Greenwood or Mount Auburn wooed the mourner from her
weight of woe. Decaying head-boards, green with the lichen-fingered
touch of time, leaned over neglected mounds, where last year's weeds
shivered in the sighing breeze, and autumn winds and winter rains had
drifted a brown shroud of shriveled leaves; while here and there
meek-eyed sheep lay sunning themselves upon the trampled graves, and
the slow-measured sound of a bell dinged now and then as cattle browsed
on the scanty herbage in this most neglected of God's Acres. Could
Charles Lamb have turned from the pompous epitaphs and high-flown
panegyrics of that English cemetery, to the rudely-lettered boards
which here briefly told the names and ages of the sleepers in these
narrow beds, he had never asked the question which now stands as a
melancholy epigram on family favoritism and human frailty. Gold gilds
even the lineaments and haunts of Death, making Pere la Chaise a
Public-domain text, read in full here on John Shaqi.
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