Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
Her name was known in the world of letters, her reputation was already
enviable; extravagant expectations were entertained concerning her
future; and to maintain her hold on public esteem, to climb higher, had
become necessary for her happiness.
Through Mr. Manning's influence and friendship she was daily making the
acquaintance of leading men in literature, and their letters and
conversation stimulated her to renewed exertion.
Yet she had never stooped to conciliate popular prejudices, had never
written a line which her conscience did not dictate and her religious
convictions sanction; had bravely attacked some of the pet vices and
shameless follies of society, and had never penned a page without a
prayer for guidance from on High.
Now in her path rose God's Reaper, swinging his shining sickle,
threatening to cut off and lay low her budding laurel wreath.
While she stood silent and motionless in the quiet library, the woman's
soul was wrestling with God for permission to toil a little while
longer on earth, to do some good for her race, and to assist in saving
a darkened soul almost as dear to her as her own.
She never knew how long that struggle for life lasted; but when the
prayer ended, and she lifted her face, the shadows and the sorrowful
dread had passed away, and the old calm, the old sweet, patient smile
reigned over pale, worn features.
Early in July, Felix's feeble health forced his mother to abandon her
projected tour to the White Mountains; and in accordance with Dr.
Howell's advice, Mr. Andrews removed his family to a seaside
summer-place, which he had owned for some years, but rarely occupied,
as his wife preferred Newport, Saratoga, and Nahant.
The house at the "Willows" was large and airy, the ceilings were high,
windows wide, and a broad piazza, stretching across the front, was
shaded by two aged and enormous willows, that stood on either side of
the steps, and gave a name to the place.
The fresh matting on the floors, the light cane sofa and chairs, the
white muslin curtains and newly-painted green blinds imparted an
appearance of delicious coolness and repose to the rooms; and while not
one bright-hued painting was visible, the walls were hung with soft,
gray, misty engravings of Landseer's pictures, framed in carved ebony
and rosewood and oak.
The gilded splendor of the Fifth Avenue house was left behind; here
simplicity and quiet comfort held sway. Even the china wore no glitter,
but was enamelled with green wreaths of vine-leaves; and the vases held
only plumy ferns, fresh and dewy.
Low salt meadow-lands extended east and west, waving fields of corn
stretched northward, and the slight knoll on which the building stood
sloped smoothly down to the ever-moaning, foam-fretted bosom of the
blue Atlantic.
Public-domain text, read in full here on John Shaqi.
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