Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
She left the room abruptly, and the orphan lay in the gathering gloom
of twilight, perplexed, distressed, and wondering how she could avoid
all the angularities of this amiable character, under whose roof fate
seemed to have deposited her.
CHAPTER V.
At length, by the aid of crutches, Edna was able to leave the room
where she had been so long confined, and explore the house in which
every day discovered some new charm. The parlors and sitting-room
opened on a long, arched veranda, which extended around two sides of
the building, and was paved with variegated tiles; while the
stained-glass doors of the dining-room, with its lofty frescoed ceiling
and deep bow-windows, led by two white marble steps out on the terrace,
whence two more steps showed the beginning of a serpentine gravel walk
winding down to an octagonal hot-house, surmounted by a richly carved
pagoda-roof. Two sentinel statues--a Bacchus and Bacchante--placed on
the terrace, guarded the entrance to the dining-room; and in front of
the house, where a sculptured Triton threw jets of water into a
gleaming circular basin, a pair of crouching monsters glared from the
steps. When Edna first found herself before these grim doorkeepers, she
started back in unfeigned terror, and could scarcely repress a cry of
alarm, for the howling rage and despair of the distorted hideous heads
seemed fearfully real, and years elapsed before she comprehended their
significance, or the sombre mood which impelled their creation. They
were imitations of that monumental lion's head, raised on the
battle-field of Chaeroneia, to commemorate the Boeotians slain. In the
rear of and adjoining the library, a narrow, vaulted passage with high
Gothic windows of stained-glass, opened into a beautifully proportioned
rotunda, and beyond this circular apartment with its ruby-tinted
skylight and Moresque frescoes, extended two other rooms, of whose
shape or contents Edna knew nothing, save the tall arched windows that
looked down on the terrace. The door of the rotunda was generally
closed, but accidentally it stood open one morning, and she caught a
glimpse of the circular form and the springing dome. Evidently this
portion of the mansion had been recently built, while the remainder of
the house had been constructed many years earlier; but all desire to
explore it was extinguished when Mrs. Murray remarked one day:
"That passage leads to my son's apartments, and he dislikes noise or
intrusion."
Public-domain text, read in full here on John Shaqi.
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