Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
The narrow, vaulted passage leading to Mr. Murray's suit of rooms was
dim and gloomy when Edna approached the partly opened door of the
rotunda, whence issued a stream of light. Timidly she crossed the
threshold and stood within on the checkered floor, whose polished tiles
glistened under the glare of gas from bronze brackets representing
Telamones, that stood at regular intervals around the apartment. The
walls were painted in Saracenic style, and here and there hung
specimens of Oriental armor--Turcoman cimeters, Damascus swords,
Bedouin lances, and a crimson silk flag, with heavy gold fringe,
surmounted by a crescent. The cornice of the lofty arched ceiling was
elaborately arabesque, and as Edna looked up she saw through the glass
roof the flickering of stars in the summer sky. In the centre of the
room, immediately under the dome, stretched a billiard-table, and near
it was a circular one of black marble, inlaid with red onyx and lapis
lazuli, which formed a miniature zodiac similar to that at Denderah,
while in the middle of this table sat a small Murano hour-glass, filled
with sand from the dreary valley of El Ghor. A huge plaster Trimurti
stood close to the wall, on a triangular pedestal of black rock, and
the Siva-face and the writhing cobra confronted all who entered. Just
opposite grinned a red granite slab with a quaint basso-relievo taken
from the ruins of Elora. Near the door were two silken divans, and a
richly carved urn, three feet high, which had once ornamented the
facade of a tomb in the royal days of Petra, ere the curse fell on
Edom, now stood an in memoriam of the original Necropolis. For what
purpose this room was designed or used Edna could not imagine, and
after a hasty survey of its singular furniture, she crossed the
rotunda, and knocked at the door that stood slightly ajar. All was
silent; but the smell of a cigar told her that the owner was within,
and she knocked once more.
"Come in."
"I don't wish to come in; I only want to hand you something."
"Oh! the deuce you don't! But I never meet people even half-way, so
come in you must, if you have anything to say to me. I have neither
blue blazes nor pitchforks about me, and you will be safe inside. I
give you my word there are no small devils shut up here, to fly away
with whomsoever peeps in! Either enter, I say, or be off."
The temptation was powerful to accept the alternative; but as he had
evidently recognized her voice, she pushed open the door and
reluctantly entered. It was a long room, and at the end were two
beautiful fluted white marble pillars, supporting a handsome arch,
where hung heavy curtains of crimson Persian silk, that were now partly
looped back, showing the furniture of the sleeping apartment beyond the
richly carved arch. For a moment the bright light dazzled the orphan,
and she shaded her eyes; but the next instant Mr. Murray rose from a
sofa near the window, and advanced a step or two, taking the cigar from
his lips.
Public-domain text, read in full here on John Shaqi.
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