Alabama -- History -- Civil War, 1861-1865 -- Fiction; Domestic fiction; War stories
grown strangely mellow and golden in the ashy cellars of Herculaneum,
and had doubtless been destined for some luxurious triclinium in the
days of Titus. A small Byzantine picture, painted on wood, with a
silver frame ornamented with cornelian stars, and the background
heavily gilded, hung over an etagere, where lay a leaf from
Nebuchadnezzar's diary, one of those Babylonish bricks on which his
royal name was stamped. Near it stood a pair of Bohemian vases
representing the two varieties of lotus--one velvety white with
rose-colored veins, the other with delicate blue petals. This latter
whim had cost a vast amount of time, trouble, and money, it having been
found difficult to carefully preserve, sketch, and paint them for the
manufacturer in Bohemia, who had never seen the holy lotus, and
required specimens. But the indomitable will of the man, to whose
wishes neither oceans nor deserts opposed successful barriers, finally
triumphed, and the coveted treasures fully repaid their price as they
glistened in the gaslight, perfect as their prototypes slumbering on
the bosom of the Nile, under the blazing midnight stars of rainless
Egypt. Several handsome rosewood cases were filled with rare books--two
in Pali--centuries old; and moth-eaten volumes and valuable MSS.--some
in parchment, some bound in boards--recalled the days of astrology and
alchemy, and the sombre mysteries of Rosicrucianism. Side by side, on
an ebony stand, lay an Elzevir Terence, printed in red letters, and a
curious Birman book, whose pages consisted of thin leaves of ivory,
gilded at the edges; and here too were black rhyta from Chiusi, and a
cylix from Vulci, and one of those quaint Peruvian jars, which was so
constructed that, when filled with water, the air escaped in sounds
that resembled that of the song or cry of the animal represented on the
vase or jar. In the space between the tall windows that fronted the
lawn hung a weird, life-size picture that took strange hold on the
imagination of all who looked at it. A gray-haired Cimbrian Prophetess,
in white vestments and brazen girdle, with canvas mantle fastened on
the shoulder by a broad brazen clasp, stood, with bare feet, on a low,
rude scaffolding, leaning upon her sword, and eagerly watching, with
divining eyes, the stream of blood which trickled from the throat of
the slaughtered human victim down into the large brazen kettle beneath
the scaffold. The snowy locks and white mantle seemed to flutter in the
wind; and those who gazed on the stony, inexorable face of the
Prophetess, and into the glittering blue eyes, shuddered and almost
fancied they heard the pattering of the gory stream against the sides
of the brass caldron. But expensive and rare as were these relics of
bygone dynasties and mouldering epochs, there was one other object for
which the master would have given everything else in this museum of
curiosities, and the secret of which no eyes but his own had yet
explored.
Public-domain text, read in full here on John Shaqi.
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