Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Among the numerous members of the household was one who, from being a
turnspit, had risen, chiefly in virtue of an immovably lugubrious
expression of countenance, to be the earl's fool. From this peculiarity
his fellow-servants had given him the nickname of The Hangman; but the
man himself had chosen the role of a puritan parson, as affording the
best ground-work for the display of a humour suitable to the expression
of countenance with which his mother had endowed him. That mother was
Goody Rees, concerning whom, as already hinted, strange things were
whispered. In the earlier part of his career the fool had not
unfrequently found his mother's reputation a sufficient shelter from
persecution; and indeed there might have been reason to suppose that it
was for her son's sake she encouraged her own evil repute, a distinction
involving considerable risk, seeing the time had not yet arrived when
the disbelief in such powers was sufficiently advanced for the safety of
those reported to possess them. In her turn, however, she ran a risk
somewhat less than ordinary from the fact that her boy was a domestic in
the family of one whose eldest son, the heir to the earldom, lay under a
similar suspicion; for not a few of the household were far from
satisfied that lord Herbert's known occupations in the Yellow Tower were
not principally ostensible, and that he and his man had nothing to do
with the black art, or some other of the many regions of occult science
in which the ambition after unlawful power may hopefully exercise
itself.
Upon occasion of a family fete, merriment was in those days carried
further, on the part of both masters and servants, than in the greatly
altered relations and conditions of the present day would be desirable,
or, indeed, possible. In this instance, the fun broke out in the
arranging of a mock marriage between Thomas Rees, commonly called Tom
Fool, and a young girl who served under the cook. Half the jest lay in
the contrast between the long face of the bridegroom, both congenitally
and wilfully miserable, and that of the bride, broad as a harvest moon,
and rosy almost to purple. The bridegroom never smiled, and spoke with
his jaws rather than his lips; while the bride seldom uttered a syllable
without grinning from ear to ear, and displaying a marvellous
appointment of huge and brilliant teeth. Entering solemnly into the
joke, Tom expressed himself willing to marry the girl, but represented,
as an insurmountable difficulty, that he had no clothes for the
occasion. Thereupon the earl, drawing from his pocket his bunch of keys,
directed him to go and take what he liked from his wardrobe. Now the
earl was a man of large circumference, and the fool as lank in person as
in countenance.
Public-domain text, read in full here on John Shaqi.
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