St. George and St. Michael, Volume 1MacDonald, George
History
St. George and St. Michael, Volume 1
MacDonald, George
Great Britain -- History -- Civil War, 1642-1649 -- Fiction
Tom received them into bodily presence with the notification that,
having suspected their object, he had sent all his people out of the
way, in order to avoid the least danger of a broil. Bowing to them
with the utmost politeness as they entered, he requested them to
step forward into the court while he closed the wicket behind them,
but took the opportunity of whispering to one of the men just inside
the door of the guardhouse, who, the moment Tom had led the rustics
away, approached the earl, and told him what he had said.
'What can the rascal mean?' said the earl to himself; but he told
the man to carry the fool's message exactly as he had received it,
and quietly followed Tom and his companions, some of whom,
conceiving fresh importance from the overstrained politeness with
which they had been received, were now attempting a transformation
of their usual loundering gait into a martial stride, with the
result of a foolish strut, very unlike the dignified progress of the
sham earl, whose weak back roused in them no suspicion, and who had
taken care they should not see his face. Across the paved court, and
through the hall to the inner court, Tom led them, and the earl
followed.
The twilight was falling. The hall was empty of life, and filled
with a sombre dusk, echoing to every step as they passed through it.
They did not see the flash of eyes and glimmer of smiles from the
minstrel's gallery, and the solitude, size, and gloom had, even on
their dull natures, a palpable influence. The whole castle seemed
deserted as they followed the false earl across the second
court--with the true one stealing after them like a knave--little
imagining that bright eyes were watching them from the curtains of
every window like stars from the clear spaces and cloudy edges of
heaven. To the north-west corner of the court he led them, and
through a sculptured doorway up the straight wide ascent of stone
called the grand staircase. At the top he turned to the right, along
a dim corridor, from which he entered a suite of bedrooms and
dressing-rooms, over whose black floors he led the trampling
hob-nailed shoes without pity either for their polish or the labour
of the housemaids in restoring it.
Public-domain text, read in full here on John Shaqi.
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