St. Ives: Being the Adventures of a French Prisoner in EnglandStevenson, Robert Louis
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St. Ives: Being the Adventures of a French Prisoner in England
Stevenson, Robert Louis
French -- England -- Fiction; Prisoners of war -- Fiction
‘In heaven, mademoiselle,’ I answered. ‘She, and my father also, went by
the same road to heaven as so many others of the fair and brave: they
followed their queen upon the scaffold. So, you see, I am not so much to
be pitied in my prison,’ I continued: ‘there are none to wait for me; I
am alone in the world. ’Tis a different case, for instance, with yon
poor fellow in the cloth cap. His bed is next to mine, and in the night
I hear him sobbing to himself. He has a tender character, full of tender
and pretty sentiments; and in the dark at night, and sometimes by day
when he can get me apart with him, he laments a mother and a sweetheart.
Do you know what made him take me for a confidant?’
She parted her lips with a look, but did not speak. The look burned all
through me with a sudden vital heat.
‘Because I had once seen, in marching by, the belfry of his village!’ I
continued. ‘The circumstance is quaint enough. It seems to bind up into
one the whole bundle of those human instincts that make life beautiful,
and people and places dear—and from which it would seem I am cut off!’
I rested my chin on my knee and looked before me on the ground. I had
been talking until then to hold her; but I was now not sorry she should
go: an impression is a thing so delicate to produce and so easy to
overthrow! Presently she seemed to make an effort.
‘I will take this toy,’ she said, laid a five-and-sixpenny piece in my
hand, and was gone ere I could thank her.
I retired to a place apart near the ramparts and behind a gun. The
beauty, the expression of her eyes, the tear that had trembled there, the
compassion in her voice, and a kind of wild elegance that consecrated the
freedom of her movements, all combined to enslave my imagination and
inflame my heart. What had she said? Nothing to signify; but her eyes
had met mine, and the fire they had kindled burned inextinguishably in my
veins. I loved her; and I did not fear to hope. Twice I had spoken with
her; and in both interviews I had been well inspired, I had engaged her
sympathies, I had found words that she must remember, that would ring in
her ears at night upon her bed. What mattered if I were half shaved and
my clothes a caricature? I was still a man, and I had drawn my image on
her memory. I was still a man, and, as I trembled to realise, she was
still a woman. Many waters cannot quench love; and love, which is the
law of the world, was on my side. I closed my eyes, and she sprang up on
the background of the darkness, more beautiful than in life. ‘Ah!’
thought I, ‘and you too, my dear, you too must carry away with you a
picture, that you are still to behold again and still to embellish. In
the darkness of night, in the streets by day, still you are to have my
voice and face, whispering, making love for me, encroaching on your shy
heart. Shy as your heart is, _it_ is lodged there—_I_ am lodged there;
let the hours do their office—let time continue to draw me ever in more
Public-domain text, read in full here on John Shaqi.
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