St John Damascene on Holy Images (πρὸς τοὺς διαβάλλοντας τᾶς ἁγίας εἰκόνας). Followed by Three Sermons on the Assumption (κοίμησις) — John Shaqi
St John Damascene on Holy Images (πρὸς τοὺς διαβάλλοντας τᾶς ἁγίας εἰκόνας). Followed by Three Sermons on the Assumption (κοίμησις)John of Damascus, Saint
Religion
St John Damascene on Holy Images (πρὸς τοὺς διαβάλλοντας τᾶς ἁγίας εἰκόνας). Followed by Three Sermons on the Assumption (κοίμησις)
John of Damascus, Saint
Icons -- Cult; Idols and images -- Worship; Mary, Blessed Virgin, Saint -- Assumption -- Sermons -- Early works to 1800
The mere memory of just deeds is a source of spiritual joy to the whole
world; people are moved to imitate the holiness of which they hear. The
life of holy men is as a light illuminating the way for those who would
see it. And again, when we recount the story of holy lives we glorify in
the first place the Lord of those servants, and we give praise to the
servants on account of their testimony, which is known to us. We rejoice
the world through good report.
_Commentary._—The remembrance of the saints is thus, you see, a glory to
God, praise of the saints, joy and salvation to the whole world. Why,
then, would you destroy it? This remembrance is kept by preaching and by
images, says the same great St Basil.
The same, on the Martyr St Gordion.
Just as burning follows naturally on fire, and fragrance on sweet
ointment, so must good arise from holy actions. For it is no small thing
to represent past events according to life. Is it a dim memory of the
man’s wrestlings which has come down to us, and does not the painter’s
picture tally with our present conflict? Now, as painters draw images
from images, they frequently depart from the original as much as the
image itself does, and as we did not see what they represent, there is
no little fear that we may injure the truth.
The same, at the end.
The sun fills us with perpetual wonder, though always before us, so the
memory of this man is ever fresh.
_Commentary._—It is evident that it is fresh through sermon and image.
Testimony of the same, from his Sermon on the Forty Martyrs.
Can the lover of the martyrs have too much of their memory? For the
honour shown to the just, our fellow-men, is a testimony to the goodness
of our common Lord.
And again:—
Recognise the blessedness of the martyr heartily, that you may be a
martyr in will; thus, without persecutor, or fire, or blows, found
worthy of the same reward.
_Commentary._—How, then, would you dissuade me from honouring the
saints, and be envious of my salvation? Listen to what he says a little
further on to show that he united the painter’s art to oratory.
St Basil.
See, then, that setting them before us in representation, we are making
them helpful to the living, exhibiting their holiness to us all as if in
a picture.
_Commentary._—Do you understand that both image and sermon teach one
lesson? He says: ‘Let us show them forth in a sermon as if in a
picture.’ And again: Writers and painters point out the struggles of
war; the first by the art of style, the second with their brush, and
each induce many to be brave. That which a spoken account presents to
the hearing, a silent picture portrays for imitation.
Public-domain text, read in full here on John Shaqi.
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