In nearly every quarter of Paris, on either side of the river, we shall find shops, shops, shops; people, people, people; life, activity, and bustle of every sort. Splendid buildings meet our eyes at every turn,--churches, private residences, places of business, and public edifices. In the western portion of the city, near the Arc de Triomphe, there are fewer shops, these streets being generally occupied by fine private residences. But there is very little monotony in Paris; no quarter is entirely given up to any one thing. We can not walk far in any direction without soon coming upon some object of interest. The parks, palaces, public monuments, gardens, grand and beautiful churches, fountains of various designs, great market-places, squares, and buildings of historic interest or architectural beauty, are sometimes collected in groups, but, as a rule, they are scattered all over the city. [Illustration: THE PONT DES ARTS AND THE LOUVRE.] [Illustration: A GALLERY IN THE LOUVRE.] When we have satisfied ourselves with what Paris itself is, although we have not seen anything like the whole of it, we shall set about visiting some of its especial attractions. And the first place we shall go to will be the great palace of the Louvre. This palace, with its courts and buildings, covers some twenty acres. Here have lived kings, queens, and princes; but now the palace has been made into a museum for the people, and its grand halls and galleries are filled with paintings, statuary, and other works of art, ancient and modern, from all parts of the world. It would take many, many visits even to give one look at every painting and statue in the Louvre; but if we have not much time to spare, it is possible to see the best things without walking ourselves to death through the never-ending galleries. Some of the finest paintings of Raphael, Da Vinci, Murillo, and other great masters, are collected in one room, which many persons would think well worth coming to Paris to see, if they saw nothing else. The original statue of the noble Venus de Milo is in the sculpture galleries; and in the Egyptian museum, which is so full that the history of Egypt may be studied here almost as well as in that land itself, we shall see a large stone sphinx which once belonged to that king of Egypt from whom the children of Israel fled, and the inscriptions on it show that it must have been a pretty old sphinx even when Pharaoh had it. In another part of the museum are three life-size figures in stone, which are portraits of persons who lived before the great pyramids were built, about 4000 years before the Christian era. [Illustration: BIRD'S-EYE VIEW OF THE LOUVRE.]