St. Nicholas Vol. XIII, September, 1886, No. 11: An Illustrated Magazine for Young FolksVarious
History
St. Nicholas Vol. XIII, September, 1886, No. 11: An Illustrated Magazine for Young Folks
Various
Children's literature -- Periodicals; Children's periodicals, American
In 1802, he was made a full member of the Academy and he also visited
the continent for the first time, traveling through France and
Switzerland only. He visited Italy in 1819, in 1829, and again in 1840.
The pictures of Turner are often compared with those of Claude Lorraine,
and at times he painted in rivalry with Cuyp, Poussin, and Claude,
aiming to adopt the manner of these masters.
In 1806, Turner followed the example of the great Lorraine in another
direction. Claude had made a _Liber Veritatis_, or "Book of Truth,"
containing sketches of his finished pictures, in order that the works of
other painters could not be sold as his. Turner determined to make a
_Liber Studiorum_, or "Book of Studies." It was issued in a series of
twenty numbers, containing five plates each, and the subscription price
was L17.10_s._ There were endless troubles with the engravers and it was
not paying well, and was abandoned after seventy plates were issued. It
seemed to be so worthless that Charles Turner, one of the engravers,
used some of the proofs for kindling paper. After the artist became
famous, however, this _Liber Studiorum_ grew to be very valuable. Before
Turner died, a copy was worth thirty guineas, and more recently a single
copy has brought three thousand pounds, or nearly fifteen thousand
dollars. Colnaghi, the London print dealer, paid Charles Turner fifteen
hundred pounds for the proofs which he had not destroyed; and when the
old engraver remembered how he had lighted his fires, he exclaimed, "I
have been burning bank-notes all my life."
[Illustration: COUNTESS GREY AND CHILDREN. (FROM A PORTRAIT BY SIR
THOMAS LAWRENCE.)]
Turner grew very rich, but he lived in a mean, careless style. As long
as his father lived, he waited upon his great son as a servant might
have done; and after his death, an untidy, wizened old woman, Mrs.
Danby, was the only person to care for the house or the interests of the
painter. His dress was that of a very common person, and it is
impossible to understand how a man who so admired the beautiful in
nature could live in so miserly a manner as that of Turner.
Public-domain text, read in full here on John Shaqi.
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