St. Nicholas Vol. XIII, September, 1886, No. 11: An Illustrated Magazine for Young FolksVarious
History
St. Nicholas Vol. XIII, September, 1886, No. 11: An Illustrated Magazine for Young Folks
Various
Children's literature -- Periodicals; Children's periodicals, American
His success aroused a strong faith and a new interest in the native art
of England, which showed their results in the establishment of the Royal
Academy of Arts. A little more than four years after Hogarth's death,
this Academy was founded by King George III. The original members of the
Academy numbered thirty-four, and among them was
JOSHUA REYNOLDS,
who afterward became its first president.
His father, Samuel Reynolds, was the rector of a grammar school at
Plympton, in Devonshire, and in that little hamlet, on July 16, 1723,
was born Joshua, the seventh of eleven children.
When Joshua was but a mere child, his father was displeased to find him
devoted to drawing; on a sketch which the boy had made, his father
wrote: "This is drawn by Joshua in school, out of pure idleness." The
child found the "Jesuit's Treatise on Perspective," and studied it with
such intelligence that before he was eight years old he made a sketch of
the school and its cloister which was so accurate that his astonished
father exclaimed, "Now this justifies the author of the 'Perspective'
when he says that, by observing the laws laid down in his book, a man
may do wonders; for this is wonderful!"
When about twelve years old, Joshua, while in church, made a sketch upon
his thumb-nail of the Rev. Thomas Smart. From this sketch, he painted
his first picture in oils; his canvas was a piece of an old sail, his
colors were common ship-paint, and he did his work in a boathouse on
Cremyll Beach.
In 1740, when Joshua was seventeen years old, his father tried to carry
out his plan to apprentice him to a druggist, but the boy was greatly
opposed to this. He said, "I would prefer to be an apothecary rather
than an _ordinary_ painter; but if I could be bound to an eminent
master, I should choose that." Fortunately Lord Edgecumbe and other
friends advised the boy's father in his favor, and so Joshua was finally
sent to London and bound to Thomas Hudson, then the best portrait
painter in England. After two years, Hudson suddenly dismissed the youth
from his studio, though his agreement was for four years; the master
said that Joshua neglected his orders, but others believed Hudson to be
jealous of his pupil's success.
Joshua returned to Devonshire and settled at Plymouth, five miles from
his home. There he painted about thirty portraits of the principal
persons of the neighborhood, at the price of three guineas each. One of
these portraits, painted in 1746, was shown to him thirty years later,
when he lamented that his progress in all that time had been so little.
At the home of his friend, Lord Edgecumbe, he had formed a friendship
with the young Commodore Keppel, who in 1749 was ordered to the
Mediterranean. He invited Reynolds to sail with him as his guest, and,
the invitation being accepted, the painter did not return to England
until the end of 1752. He visited Portugal, Spain, Algiers, Minorca,
Italy, and France.
Public-domain text, read in full here on John Shaqi.
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