St. Paul's Epistle to the Romans: A Practical Exposition. Vol. IIGore, Charles
Religion
St. Paul's Epistle to the Romans: A Practical Exposition. Vol. II
Gore, Charles
Bible. Romans -- Commentaries
By means of the famous simile of the potter St. Paul asserts two
principles about God: (1) that God is free, and condescends to give no
account to His creatures, in absolutely determining the high or low
vocations of men. To one man or nation He gives five talents, to
another two, to another one. He makes vessels to honourable and
vessels to (comparatively) dishonourable uses. He makes men Jews or
Assyrians, Englishmen or Hottentots, at His absolute discretion. (2)
That God is absolutely free, when the human material which He is
moulding for His purposes proves intractable, to repudiate and reject
what has, by its refusal to mould, become a 'vessel of wrath' fit 'to
be taken and destroyed.' And it is only by a voluntary limitation of
this freedom that He exhibits long toleration with the intractable and
{40} obstinate, and is longsuffering with them even when His wrath is
ready and waiting to show itself. These are the two distinct points in
the simile of the potter. We must distinguish carefully between the
'vessels _destined for_ dishonour'--the 'less honourable limbs' of
humanity--and the 'vessels _of_ wrath,' or 'vessels fitted for
destruction,' i.e. those which have proved themselves unfit for the
vocation to which they were destined and have to be rejected. We note
that St. Paul does not say that _God fitted_ vessels for destruction,
but that He bore long with those which had so _become fitted_. St.
Paul never gives us any real justification--if we look at his language
carefully--for the idea of any predestination to _rejection_, as
distinct from predestination to higher or lower purposes. And the New
Testament is full of assurances that a predestination to a low vocation
in this world may be a predestination to high glory in eternity, if the
humble calling is faithfully followed.
Public-domain text, read in full here on John Shaqi.
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