Black humor; Country life -- Fiction; Historical fiction; Scotland -- Fiction
Seated on the threshold of this ancient pile, where the "proud porter"
had in former days "rear'd himself,"[I-2] a stranger had a complete and
commanding view of the decayed village, the houses of which, to a
fanciful imagination, might seem as if they had been suddenly arrested
in hurrying down the precipitous hill, and fixed as if by magic in the
whimsical arrangement which they now presented. It was like a sudden
pause in one of Amphion's country-dances, when the huts which were to
form the future Thebes were jigging it to his lute. But, with such an
observer, the melancholy excited by the desolate appearance of the
village soon overcame all the lighter frolics of the imagination.
Originally constructed on the humble plan used in the building of Scotch
cottages about a century ago, the greater part of them had been long
deserted; and their fallen roofs, blackened gables, and ruinous walls,
showed Desolation's triumph over Poverty. On some huts the rafters,
varnished with soot, were still standing, in whole or in part, like
skeletons, and a few, wholly or partially covered with thatch, seemed
still inhabited, though scarce habitable; for the smoke of the
peat-fires, which prepared the humble meal of the indwellers, stole
upwards, not only from the chimneys, its regular vent, but from various
other crevices in the roofs. Nature, in the meanwhile, always changing,
but renewing as she changes, was supplying, by the power of vegetation,
the fallen and decaying marks of human labour. Small pollards, which had
been formerly planted around the little gardens, had now waxed into huge
and high forest trees; the fruit-trees had extended their branches over
the verges of the little yards, and the hedges had shot up into huge and
irregular bushes; while quantities of dock, and nettles, and hemlock,
hiding the ruined walls, were busily converting the whole scene of
desolation into a picturesque forest-bank.
Public-domain text, read in full here on John Shaqi.
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