Staffordshire pottery and its historyWedgwood, Josiah C. (Josiah Clement)
History
Staffordshire pottery and its history
Wedgwood, Josiah C. (Josiah Clement)
Potters -- England; Staffordshire pottery; Wedgwood ware
| +-Richard Wedgwood, Master Potter of Burslem Overhouse, mᵈ Katherine
| dᵃ and h. of John Wedgwood of the Overhouse.
|
+-Moses Wedgwood, Potter of Burslem. (_c._1626-1677)
As soon as he was able to afford a factory of his own, he went back to
Burslem, and in 1759 he hired, from his uncles John and Thomas Wedgwood
of the Big House, a factory known as the Ivy House Works. Here, or at
the “Brick House” Works which he hired in 1762,[85] he made cauliflower,
cream colour, and, later, black basalt ware. There worked for him at the
Ivy House Works a first cousin, Thomas Wedgwood, who afterwards became
his partner in the production of “useful” ware.
A great number of the letters of Josiah Wedgwood have survived, and they
show the chief cause of his success to have been his restless passion
for experiment and novelty, coupled with an almost American love for the
extension of business—particularly profitable business. He was first a
skilful potter, secondly a pushing man of business, and only thirdly,
perhaps, a great artist. When he broke with his stick some imperfect
vase, saying, “That won’t do for Josiah Wedgwood,” it was not because
the delinquent vase offended his taste, but because it might damage
his reputation and the sale of his wares. He wanted perfection, and he
got perfection; but he wanted it to sell, as a business proposition.
And when we find him wondering whether he can keep up the price of his
common cream plates to four shillings a dozen, while the other potters
have brought their price for the same plates down to two shillings a
dozen,[86] then we catch a glimpse of how well it paid.
The cream-coloured Queen’s Ware was the chief product of Wedgwood’s early
times in Burslem. It was at first decorated, when required, by the widow
Warburton, of Hot Lane. But the invention of the cheap method of printing
designs on to the glazed ware, made in 1755 by Saddler and Green of
Liverpool, provided an excellent substitute for enamelling on the more
useful ware. Wedgwood used to send his ware to Liverpool to be printed,
and was often there himself, importing clay, or looking after the export
trade to America, then, as now, the most important branch of the export
trade. It was on one of these visits to Liverpool that he first met his
life-long friend, Thomas Bentley, a dissenting radical merchant of the
Clapham school, who became his partner in 1768.[87]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account