Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
If we could recapture those times we should find them spacious days,
of much fresh air, illimitable horizons, a great deal of solid,
unostentatious comfort for the stay-at-homes, and also of much
discomfort for the traveller; but although no sensible person, fully
informed of the conditions of life in the long ago, would wish he had
been born into those times, yet among their disadvantages and the
discomforts incidental to travel scarce more than two generations ago,
there were to be found, as a matter of course, not a few things which
would be looked upon with rapture by the modern sentimentalist. That
was the era when the Suburb was unknown anywhere else than around
London, and even London’s suburbs were sparse, scattered, sporadic,
and separated by great distances from one another. Taking coach from
the City, where the merchants and the shopkeepers commonly lived over
their business premises, you came presently, north, south, east, or
west, through suburban Stamford Hill, Sydenham, Clapton, or Kensington,
to rural Edmonton, Croydon, Romford, or Chiswick, and so presently
to the Unknown. _That_ was, of itself, a charm in the old order of
things--a charm lost long since in these crowded times, when constant
and intimate travel have made us familiar with distant towns, and
by consequence incurious and incapable of surprises. Everything is
known, if not at the first hand of personal observation, at least by
proxy of our reading in guide-book history, or by the debilitating
photograph, which leaves nothing to the imagination, and renders us
travelled in the uttermost nooks and corners of the land, even though
we be bedridden, or thoroughgoing _habitués_ of the armchair and
the fireside. The picture-postcard--the lowest common denominator
of the photograph--has come to give the last touch of satiety, the
final revulsion of repletion. The Land’s End has long since been
exploited, John o’ Groat’s is merely at the end of a cycle ride, the
“bottomless” caverns of the Peak have been plumbed, every unscalable
mountain climbed. “_Connu!_” we exclaim when we are told any fact. No
surprises are left. We may never before have journeyed to Edinburgh,
but photographs have rendered us so long familiar with its castle
and rock that we cannot recollect a time when we were not familiar
with the physical geography of the “modern Athens,” and we seem to
have been born with a knowledge of the geographical peculiarities of
every other place. We are, therefore, naturally bored and unresponsive
in situations where our grandfathers were surprised and delighted;
but although possessed thereby with a profound dissatisfaction with
ourselves, we cannot hope to win back to the unsophisticated joys of
old time.
Public-domain text, read in full here on John Shaqi.
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