Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching age — John Shaqi
Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
The lady who had already given him a lecture then began to put him in
mind of the footpad whom he and his brother officer had suffered to
escape with their purses, and asked him how he would quell a number of
highwaymen. Taken off his guard at the mention of footpads, he stared
out of the window with a sort of wildness, as if one had been at the
coach door.
Nothing was seen worthy of note until the coach came to Grantham,
which place they reached about seven in the evening. The first things,
remarks Mr. Murray--with all the air of a profound and interesting
discovery--that travellers saw in approaching large towns were,
generally speaking, the church steeples. Ordinarily higher than the
rest of the buildings, they were--remarkable to relate--on that account
the more conspicuous. The steeple of Grantham was pretty high, and
saluted one’s eyes at a good distance before the town was approached.
It seemed to be of the pyramidical kind.
Grantham was a pleasant place, although the houses were indifferently
built. On reaching it, they wandered through the town before returning
to the inn for supper, when the captain took care to say some civil
things to the landlady’s sister, who was a very handsome young woman.
It was, however, easy to perceive that she was acquainted with these
civilities, and could distinguish between truth and falsehood. She made
the captain keep his distance in such a manner as put an entire end
to his compliments. The fineness of her person and the beauty of her
complexion were joined with a modest severity that protected her from
the rudeness and insults which gentlemen think themselves entitled to
use towards a chambermaid, the character she acted in.
After supper was done, the coach-party were informed that some of Mr.
Garrick’s servants were that night to exhibit in an old thatched house
in a corner of the town. They had come abroad into the country during
the summer vacation, to see if they could find anything to keep their
grinders going until the opening of Drury Lane Theatre. They were that
night to play the _Went Indian_ and the _Jubilee_.
The whole of the passengers went to see the performance. The actors
played their parts very indifferently, but, after all, not so badly but
that one could, with some trouble, manage to perceive as much meaning
in their actions as to be able to distinguish between an honest man
and a rogue. Our ingenious and imaginative Mr. Murray thought it must
be dangerous for an actor to play the rogue often, for fear of his
performance becoming something more than an imitation. But after all,
he says, with the fine intolerant scorn of the old-time dissenting
minister, the generality of players had little morality to lose.
Public-domain text, read in full here on John Shaqi.
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