Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching ageHarper, Charles G. (Charles George)
History
Stage-coach and Mail in Days of Yore, Volume 2 (of 2): A picturesque history of the coaching age
Harper, Charles G. (Charles George)
Coaching (Transportation) -- History
The moon now rides in unsullied glory through the azure sky. We top
Alconbury Hill at a few minutes to twelve, and come to the junction
of the Old North and the Great North Roads. Everything stands out as
clearly as if it were daylight, but with a certain ghost-like and
uncanny effect. “The obelisk,” as the coachmen have learned to call the
great milestone at the junction of the roads (it is really a square
pedestal) looks particularly spectral, but is not the airy nothing it
seems--as the coachman on the Edinburgh Mail discovered, a little while
ago. The guard tells us all about it. The usual thing. Too much to
drink at the hospitable bar of the “George,” at Huntingdon, and a doubt
as to which of the two milestones he saw, on coming up the road, was
the real one. The guard and all the outsides were in similar case--it
was Christmas, and men made merry--and so there was nothing for it but
to try their quality. Unfortunately, he drove into the real stone,
and not its spectral duplicate, conjured up by the effects of strong
liquors. We see the broken railings and the dismounted stone ball
that once capped the thing as we pass. The local surgeon mended the
resultant broken limbs at the “Wheatsheaf,” whose lighted windows fall
into our wake as we commence the descent of Stonegate Hill.
Stilton. By this time we are too drowsy to note whether we changed at
the “Bell” or at its rival, directly opposite, the “Angel.” At any
rate, nobody asks us if we would not like a nice real Stilton cheese to
take with us, as they usually do: it is midnight.
We now pass Norman Cross, and come in another eight miles to Wansford
turnpike, where the gate is closed and the pikeman gone to bed. “Blow
up for the gate,” said the coachman, when we were drawing near, to the
guard, who blew his horn accordingly; but it does not seem to have
disturbed the dreams of the janitor. “Gate, gate!” cry the guard and
coachman in stentorian chorus. The guard himself descends, and blows a
furious series of blasts in the doorway, while the coachman lashes the
casement windows.
[Illustration: THE TURNPIKE GATE.
_From a contemporary lithograph._
]
At last a shuffling and fumbling are heard within, and the door is
opened. The pikeman has not been to bed after all; he was, and is, only
drunk, and had fallen into a sottish sleep. He now opens the gate, in
the midst of much disinterested advice from both our officials--the
guard advising him to stick to Old Tom and leave brandy alone, and the
coachman pointing out that the Mail will be down presently and that
he had better leave the gate open if he does not wish to present the
Postmaster-General with forty shillings, that being the penalty to
which a pike-keeper is liable who does not leave a clear passage for
His Majesty’s Mails.
We now cross Wansford Bridge, a very long and narrow stone structure
over the river Nene. Having done so, slowly and with caution, we know
no more: sleep descends insensibly upon us.
Public-domain text, read in full here on John Shaqi.
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