Stained glass of the middle ages in England and France — John Shaqi
Stained glass of the middle ages in England and FranceArnold, Hugh
History
Stained glass of the middle ages in England and France
Arnold, Hugh
Art, Medieval; Glass painting and staining -- England; Glass painting and staining -- France
In passing from the twelfth to the thirteenth century one notices a
certain loss of the restraint and sense of proportion which gives such
dignity and refinement to the earlier work, but on the other hand a
certain gain in vivacity and facility of expression. The Greek
influence is dying out, but the artists, though with less sense of
design than their predecessors, were accomplished at story-telling, in
which, however, they seem less serious and more gossiping. Their
figures are less tall, and the lines of the drapery from being
straight and severe become agitated and flowing.
[Sidenote: The Trinity Chapel, Canterbury.]
East of the choir in Canterbury Cathedral is the Trinity Chapel, of
which the building was finished in 1185 and to which the body of St.
Thomas was translated with great pomp in the year 1220 and placed in
a marvellous jewelled shrine, the position of which can still be
traced on the pavement by the hollow worn round it by the knees of
pilgrims. All around were gorgeous windows which, with the exception
of those in the little circular chapel at the east end, known as
"Becket's Crown," were filled with the stories of his posthumous
miracles.
It is a little difficult to date these windows. They cannot of course
be earlier than 1185, but I do not think that any of them are much
later than 1220, though from the fact that one of the medallions, and
one only, contains a representation of the famous shrine--everywhere
else it is the martyr's tomb in the crypt that is shown--the
particular window containing it cannot have been executed before the
latter date, as the shrine would not have been in existence. It may,
however, have been done in that year. This window and the one next it
seem to me to be by an inferior hand, and contain certain features not
found in the others, but common in later glass of the thirteenth
century.
Whether this represents a gap in the execution of the windows it is,
however, impossible to say without the evidence of the windows which
have been destroyed. Seeing that from 1208 to 1213 the country was
under an interdict, the existence of such a gap would not be
surprising.
Public-domain text, read in full here on John Shaqi.
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