One or two of the clerestory windows are medallion windows, the medallions being on a very large scale, but most of them are filled, as I say, with single figures of saints, nearly twice life-size. So large are they that their faces have had to be composed of several pieces of glass. A brownish pink is used for the flesh, and the eyes are separate pieces of white with the pupil painted in. As the flesh colour has in many cases darkened considerably from the effects of time and weather, the effect of the brilliant whites of the eyes is somewhat weird and startling. Here again there seems to be no special idea governing the order of subjects, which were probably left to the donors, who would choose their patron saints. [Sidenote: The Guild windows.] It is at Chartres that for the first time, as I believe, the donors of the windows are made much account of in the glass. It is true that at St. Denis there are two very tiny figures of Abbot Suger,--in one case, prostrate, in simple monk's dress, at the feet of the Virgin in the Annunciation, and in the other, holding up a model of the Jesse window,--and there is a donor at Poitiers, but at Canterbury and Sens there is nothing to show by whom the windows were given. At Chartres, however, it is far otherwise. Partly, perhaps, because of the emulation that had been shown in presenting windows, nearly every one contains some record of its donor. In the case of those given by the Guilds this takes the form of a little panel introduced into the bottom of the window, showing members of the Guild at work--bakers, butchers, tanners, furriers, money-changers and so on--charming and valuable little pictures of the everyday life of the time. More noble donors are represented by their portraits, either kneeling at the foot of the window or, as in the clerestory of the choir, where the rose-lights of the tracery are filled with a splendid series of princes and nobles armed and on horseback, each recognizable by his shield and banner. [Sidenote: Amaury de Montfort.] The one illustrated in Mr. Saint's sketch in Plate XII. is Amaury de Montfort, brother of our own Simon de Montfort who led the rebellion of the barons against Henry III., and son of that Simon de Montfort who led the crusade against the Albigenses and was made Lord of Languedoc for his pains. Amaury, who succeeded him in 1218, finding himself not strong enough to hold the country, had ceded his rights six years later to the King of France, and was made in return Constable of France. [Sidenote: Pierre Mauclerc.]