This north rose, or Rose of France as it is called, has in its centre light the Virgin with the Child, in a purple tunic with a blue robe and nimbus against a ground of rich ruby. In the twelve radiating lights round her are: above her head, four doves; on her right and left, four angels,--two on either side,--two incensing and two holding candles; and below, four six-winged seraphs. Outside these are twelve kings of Judah, the Virgin's ancestors, and outside these again is a ring of the Prophets who foretold Christ's coming. Below, in the five great lancets, is a huge figure of Saint Anne carrying the infant Virgin, having on her right King David and on her left Solomon, and beyond these Melchizedek and Aaron, types of Christ as King and High Priest. Below St. Anne is a great shield with the arms of St. Louis, but under each of the four other figures is a kind of "predella," in which are shown, as a contrast: below David, Saul falling on his sword; below Solomon, Jeroboam worshipping the golden calves; below Melchizedek, Nebuchadnezzar; and below Aaron, Pharaoh being whirled away, horse and man, in the Red Sea. In this last scene the artist has been in a dilemma. The backgrounds of these lancets are alternately red and blue, and Pharaoh's should have been blue, but it represents the _Red_ Sea, and the artist has had to get out of the difficulty by making it a kind of maroon purple. [Sidenote: The south rose and lancets.] The idea of the window is the same as that of Jesse Tree: Humanity preparing, through the ages, for the coming of Christ, and culminating in His Mother. The rose and lancets opposite show the fulfilment. Here Christ is seen enthroned in the centre of the rose, as St. John beheld Him, surrounded by angels and by the four great beasts, and by the four-and-twenty elders seated on their thrones, in a double ring round the whole. In the five lancets below are, in the centre, the Virgin and Child, and on either side the four Evangelists, borne, by a quaint conceit, like children on the strong shoulders of the major Prophets. The general arrangement of the windows is the same, but the detail seems to me to bear out the supposition that the southern rose is by some years the earlier of the two. In both windows the outer and the inner ring of figures are contained in circular medallions, but where in the south rose the "filling in" is done by means of scroll work, in the north transept "mosaic diaper" is everywhere used. The borders of the lancets, too, are of an older type, and more beautiful in the south transept than in the north.