The first five windows in the south aisle seem to me to follow these immediately in order of execution. The style is just a little more advanced; stain is used more freely, and the canopies begin to grow up into the white panel above them until their pinnacles reach its centre and do away with the coloured boss there altogether; they spread into the borders in many cases in order to give more room to the figures under them, thus giving rise to the three-gabled form of canopy. In colour they are still very beautiful, but have suffered much more damage than those in the north aisle. Several of them have been repaired and restored by Peckitt, of York, as the inscriptions show, at the end of the eighteenth century, but Peckitt's restoration was merciful compared to that which the fourth one has undergone at the hands of a modern firm of stained-glass manufacturers. Whole quantities of the old glass have been replaced by new, and the whole has been smeared with some brownish mess to make it look old again. As a result, all life and beauty have gone out of the window which is merely a sort of embalmed corpse, and this is the more to be regretted that it seems to have been a particularly interesting window. The lower panels each contain a pair of kneeling figures, five knights, and one churchman who hold aloft shields which show them to be various members of the Yorkshire family of de Mauley of Mulgrave. The founder of the family was the Poitevin ruffian, Piers de Mauley who, at King John's orders, murdered Prince Arthur and was rewarded for this service with the hand and estates of an unfortunate Yorkshire heiress. The descendants of this miscreant seem, however, to have been gallant soldiers who distinguished themselves in Scotland and Gascony and were made barons by Edward I. A peculiarity of the family was that the eldest son was always called Peter, and they distinguished themselves by numbers, like kings. One of the portraits must be the particular Peter who afterwards, in 1346, commanded the forces which Queen Philippa raised in her husband's absence against the invading Scots, whom he routed at Neville's Cross, taking their king, David Bruce, prisoner, and partly avenging Bannockburn. An interesting point of heraldry is the way in which the arms of the different sons are distinguished, not by the marks of cadency used later, but by the addition of different charges to the original shield which is or, a bend sable. The fifth window was once a Tree of Jesse but is now a mere wreck. It is, however, the earliest Jesse Tree I know of in which the stem and foliage of the tree are green.