Stained Glass Tours in EnglandSherrill, Charles Hitchcock
History
Stained Glass Tours in England
Sherrill, Charles Hitchcock
Cathedrals -- England; England -- Description and travel; Glass painting and staining -- England
Our Decorated tour will lead us far afield through the western part of
the beautiful English country. At the end of the Early English tour we
found ourselves in the interesting walled city of York. There we shall
also begin our study of the succeeding, or Decorated, period. We shall
next strike across to Norbury, in Derbyshire, then on to steep-streeted
Shrewsbury, and thence down through Ludlow with its church and ancient
castle, and stately Hereford beside the Wye to Tewkesbury, and its
ancient neighbour Deerhurst. Gloucester will be passed _en route_, and
then west to smoky Bristol, where the Severn meets the Bristol Channel.
From Bristol it is only a short trip south to Wells, then down to
Exeter, followed by a long one northeasterly to Saxon Dorchester, a few
miles from Oxford. This tour will end in that famous university town,
where, in like manner to the ending of the last tour in York, we shall
find ourselves able to begin the inspection of the next, or
Perpendicular, glass, without leaving the city.
YORK
An account of the Early English glass at York will be found on p. 57.
The Decorated glass in the cathedral is almost entirely confined to the
nave and the chapter-house (with the vestibule leading thereto).
Notwithstanding their early date, the nave windows are large and afford
more illumination than one would expect at that time. So much wall-space
is used for light apertures that of the entire height of ninety-nine
feet only thirteen feet of stone intervene between the bottom of the
clerestory windows and the top of the main arches. All this portion of
the edifice is dominated by the great west window, given by Archbishop
Melton in 1338, a splendid sheet (fifty-six feet by twenty-five feet) of
highly coloured glass, supported by curvilinear stonework. Its eight
lights retain their original glazing almost intact (as does also the
head of the door below). It is skilfully fitted to the elaborate pattern
of the supporting stone frame. First there is a row of archbishops, then
one of saints, and highest of all a line of smaller personages. The
[Illustration: MAP OF DECORATED TOUR]
Public-domain text, read in full here on John Shaqi.
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