Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass Windows for Grace Church Lockport New YorkFaber, William Frederic
Religion
Stained Glass Windows: An Essay: With a Report to the Vestry on Stained Glass Windows for Grace Church Lockport New York
Faber, William Frederic
Glass painting and staining; Grace Episcopal Church (Lockport, N.Y.)
For, as is true in general of decorative art as contrasted with
pictorial art, the true church window is to be designed without
perspective, without shadow, without attempt at realistic effect. It is
to be conventional, symbolical; with that intent it may utilize as it
will forms, colors, attitudes, postures, accessories, fearless of the
criticism that ‘this saint or that scene never in the world looked like
that.’ No intelligent person standing before decorative painting would
for a moment think of demanding a representation of the actual. That,
frankly, was not its object.
And the stained glass church window will further fulfill its particular
end if all round the figure or group, or whatever be the subject matter
of the composition, there runs a clear line or border of differently
colored glass, making a clear demarcation from the stone wall; drawing
again, as it were, the architect’s line of his window construction.
All of which is but to say that windows were made for the sake of the
building, and so must remain; not that a building was made for the
sake of windows,――for the sake of furnishing so much space for so
many square yards of somebody’s beautiful glass. Which ought to be
self-evident, though to many persons it is not.
* * * * *
So regarding it now, the further question naturally occurs as to the
treatment of the several windows of one particular church. For, each
individual window might be in itself correct according to the above
principles, and yet the total effect sadly lacking in unity and harmony.
There is first of all the consideration of style: a difficult matter
to define, yet not, after all, so difficult to determine. What ought
certainly not to determine it is the chance ability of some wealthy
donor or donors to pay for the costliest work that could be produced;
nor, on the other hand, the limited ability of others who could give
only something inexpensive. The style of the building and its general
character must determine the degree of splendor and ornateness which
will be right for each and all the windows. If there be wealth to do
still more, then exercise sober self-restraint. If there be available
means only to do part of what the building demands, better do just so
much as can be rightly and adequately done, though the scheme should
wait many years for its entire completion. In building a new church,
let this also be thought of in advance.
Public-domain text, read in full here on John Shaqi.
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