Suddenly the silence sprung into life; some one seemed to speak to him; and then he knew that it was a violin—being played in that very room. He glanced up towards the open window; he could just make out that the old man was sitting there, within the shadow; therefore it must be the girl herself who was playing, in the recess of the chamber. And in a sort of dream he stood and listened to the plaintive melody—hardly breathing—haunted by the feeling that he was intruding on some sacred privacy. Then, when the beautiful, pathetic notes ceased, he noiselessly withdrew with bowed head. She had been speaking to him, but he was bewildered; he hardly could tell what that trembling, infinitely sad voice had said. He walked quickly now; for in place of those vague anticipations and reveries, a more definite purpose was forming in his brain; and there was a certain joyousness in the prospect. The very next morning he would come up to this little thoroughfare, and see if he could secure lodgings for himself, perhaps opposite the house where the old man and his granddaughter lived. It was time he was devoting himself more vigorously to study; there were too many people calling at the big mansion in Grosvenor Place; the frivolities of the fashionable world were too seductive. But in the seclusion of that quiet little quarter he could give himself up to his books; and he would know that he had neighbours; he might get a glimpse of them from time to time; that would lighten his toil. Then when Mary Bethune—he had come to the conclusion that Mary was her name, and had made not such a bad guess, after all—when Mary Bethune played one of those pathetic Scotch airs, he would have a better right to listen; he would contentedly put down Seaman’s "Progress of Nations," and go to the open window, and sit there, till the violin had ceased to speak. It was a most excellent scheme; he convinced himself that it would work right well—because it was based on common sense.