Stand Fast, Craig-Royston! (Volume I)Black, William
General
Stand Fast, Craig-Royston! (Volume I)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
Then all of a sudden there flashed into his brain a suggestion—a
suggestion that had little to do with Clay’s Compromise, or the project
to arrest Mr. Calhoun. On the previous evening it had seemed to him as
though the unseen violinist were speaking to him: why, then, should he
not answer, in the same language? There could be no offence in that—no
impertinence: it would be merely one vague voice responding to the
other, the unknown communicating in this fleshless and bloodless way
with the unknown. And now he was abundantly grateful to his aunt for
having insisted on his including music among his various studies and
accomplishments: a use had come for his slight proficiency at last: most
modern languages he knew, but he had never expected to be called upon to
speak in this one. And yet what more simple, as between neighbours? He
was not thrusting his society on any one; he was invading no privacy; he
was demanding no concession of friendship or even acquaintance. But at
least the dreadful gulf of silence would be bridged over by this mystic
means.
It was nearly six o’clock; London was busy when he went out on this hot
evening. He walked along to a music-publisher’s place in Regent-street;
and hired a piano on the express stipulation that it was to be in his
rooms within one hour. Then, as he had only had a biscuit for lunch,
and wished to leave himself untrammelled later on, he turned into a
restaurant, and dined there, simply enough, and had a cigarette and a
look at the evening papers. Thereafter he strolled back to his lodgings,
and took to his book, though his thoughts were inclined to wander now
and again.
Twilight had fallen; but he did not light the gas. Once, for a brief
second or two, he had quietly run his fingers over the keys of the
piano, to learn if it was tolerably in tune; then the room relapsed into
silence again. And was there to be silence on the other side as well?
He waited and listened, and waited and listened, in vain. Perhaps,
while he was idling away his time in the Regent-street restaurant, they
had come out from the house and gone off to some theatre. The street
was so still now that he could almost have heard any one speaking in
that room on the other side; but there was no sound.
Then his heart leapt and his brain grew giddy. Here was that
low-breathing and vibrating wail again:—and was she alone now?—in the
gathering darkness? He recognised the air; it was "Auld Robin Gray;"
but never before had he known that it was so beautiful and so ineffably
sad as well. Slowly she played and simply; it was almost like a human
voice; only that the trembling strings had a penetrating note of their
own. And when she ceased, it seemed to him that it would be profanation
to break in upon the hushed and sacred stillness.
Public-domain text, read in full here on John Shaqi.
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