Stand Fast, Craig-Royston! (Volume I)Black, William
General
Stand Fast, Craig-Royston! (Volume I)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
"Vin, what has happened to you to-day?"
"What do you mean, aunt?" he answered, with some surprise.
"Something has happened to you to-day," she went on, confidently. "You
can’t hoodwink me. Why have you been so radiant, so complaisant, this
afternoon—why are you here, for example—when you haven’t shown up at
this dinner-table for weeks past?"
"And you going away to-morrow, aunt!" he exclaimed.
"No use, Vin. All of a sudden you want to be magnanimous to the whole
human race; your amiability becomes almost burdensome; your eyes are
full of pride and joy; and you think you can hide the transformation
from me! Well, then, I will tell you, since you won’t tell me: to-day
you were introduced to her."
He was startled—and no wonder: had his aunt, by some extraordinary
chance, witnessed that interview in Hyde Park? Mrs. Ellison’s shrewd,
quick eyes noticed his alarm, and laughed.
"The story is as clear as noonday," she continued, in the same
undertone. "You come home every night between nine and ten. Why?
Because she is an actress, playing in the first piece only; and of
course the theatre loses its attraction for you the moment she has left.
Now, my dear Vin, that is not the kind of thing for you at all! You’d
better stop it—even although you have experienced the wild joy of being
introduced to her. What do you know about her? You have been investing
her with all the charming qualities of her stage heroines; you haven’t
learnt yet that she is a little slatternly in her dress, that her tastes
in eating and drinking are rather coarse, that her tastes in literature
and art aren’t any—worse still, that she is already provided with a
husband, a lounger about Strand public-houses, only too ready to accept
your patronage and the price of a glass of gin—"
He was immensely relieved.
"Oh, you’re all wrong, aunt!" he said, cheerfully. "I haven’t been
inside a theatre for six months!"
"You haven’t?" she said, glancing at him with a kind of amused
suspicion. "You are really playing the good boy with Parliamentary
reports and blue books? A very admirable diligence. Other young men
would be strolling in the Park, in this hot weather." And then all of a
sudden she asked: "What subject were you studying to-day, Vin?"
"Thompson’s Distribution of Wealth," he made answer, with equal
promptitude.
"Oh. What does he say?"
"You don’t want to know, aunt!"
"Yes, I do: I’m used to hearing all sorts of theories at this
table—though I seldom see them put in practice."
Well, he on his side was glad enough to get away from that other and
dangerous topic; and whether or not he believed in her innocent desire
for knowledge, he began to discourse on the possibility of universal
human happiness being reached by a voluntary equality in the
distribution of the products of labour.
Public-domain text, read in full here on John Shaqi.
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