Stand Fast, Craig-Royston! (Volume II)Black, William
General
Stand Fast, Craig-Royston! (Volume II)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
At this point the silent and neglected Maisrie suddenly looked
up—glancing from her grandfather to the young man in a curiously
appealing way. She seemed to say ’Grandfather, you forget: it is not
Balloray, it is Binnorie;’ and again ’Vincent, he has forgotten: that is
all.’ But neither of them took any notice of her; nay, the younger man,
in his insensate indignation and disappointment, would not look her way
at all; while old George Bethune, with his mind fixed on those imaginary
pictures, went on in a rapt fashion to repeat certain of the verses—
"Ye couldna see her yellow hair,
Balloray, O Balloray,
For gowd and pearls that were sae rare,
By the bonnie mill-dams o’ Balloray.
Ye couldna see her middle sma’,
Balloray, O Balloray,
Her gowden girdle was sae braw,
By the bonnie mill-dams o’ Balloray.
Ye couldna see her lily feet,
Balloray, O Balloray,
Her gowden fringes were sae deep,
By the bonnie mill-dams o’ Balloray.
’Sair will they be, whae’er they be,
Balloray, O Balloray,
The hearts that live to weep for thee!’
By the bonnie mill-dams o’ Balloray!"
"It is like a picture by one of the pre-Raphaelites," Vincent said; and
then the old man proceeded to talk of paper and type and binding, as if
the new work were just ready for press.
But silence was not to reign for ever between those two. On their way
home Mr. Bethune was talking of "The Demon Lover," of its alleged
Italian origin, and of a suggestion he had seen somewhere that it was no
forsaken sweetheart who had come to tempt the wedded wife, but a fiend
adopting that disguise. When they reached the little parlour he began
to search about for the volume in which "The Demon Lover" was thus
treated; but could not find it; whereupon he went off upstairs, to see
if it was not among his books and papers there. As soon as he had gone,
Maisrie rose and came over to where the young man was standing by the
fireplace.
"What have I done, Vincent?" she said.
"Oh, nothing," he made answer, avoiding her eyes.
"I have a right to know," she said, proudly.
"It is nothing," said he. "I—I made a mistake; that is all."
She looked at him in mute reproach: then she turned away, and went back
to her seat. There was a paper-knife on the table beside her; she took
that into her hands, and began to finger it; her eyes were downcast; he
was free to go now, when he chose.
But he did not go. On the contrary, after a second or two of
vacillation, he followed her.
"Maisrie," said he, in a very different tone, "perhaps it’s all a
mistake on my part. If so, I am sorry. I don’t want to vex you—
"I don’t want to vex you, Vincent," said she, in a somewhat low voice.
"Tell me what it is."
Public-domain text, read in full here on John Shaqi.
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