Stand Fast, Craig-Royston! (Volume II) — John Shaqi
Stand Fast, Craig-Royston! (Volume II)Black, William
General
Stand Fast, Craig-Royston! (Volume II)
Black, William
Families -- Fiction; Grandfathers -- Fiction; Older people -- Fiction; Scotland -- Social life and customs -- 19th century -- Fiction
While they were yet talking, Maisrie made her appearance. She had
bathed her eyes in water, and there was not much trace of her recent
agitation, though she was still somewhat pale. And Vincent—to show her
that he refused to be alarmed by her parting words—to show her that he
was quite confident as to the future—preserved his placid, not to say
gay, demeanour.
"Do you know what your grandfather is going to do with you, Maisrie?"
said he. "He is going to take you down to Brighton for a time. Yes,
and at once—to-morrow, if you care to go."
She glanced quickly from one to the other, as if fearing some conspiracy
between them.
"And you, Vincent?" she asked, turning to him.
He did not meet her look.
"I? Oh, I must keep to work; I can’t afford to go away down and idle
among those fashionable folk. My Mendover lecture isn’t half sketched
out yet. And then, again, you remember the article I told you
about?—before beginning it I ought really to run down to Scotland, or at
least to Yorkshire, and see one of those Municipal Lodging-houses in
actual operation. They seem to me marvellous institutions," continued
this consummate hypocrite (as if the chief thought in his mind at this
moment was the housing of the industrious poor!), "and of the greatest
importance to the country at large; worked at a profit, too, that is the
amazing thing! Fancy at Huddersfield; threepence a day includes use of
cooking and table utensils, a smoking-room, reading-room, and
conversation-room, and then a bed at night—all for threepence!
Belonging to the rate-payers, themselves—under the management of the
Corporation—and paying a profit so that you can go on improving and
extending. Why, every big town in the kingdom ought to have a Municipal
Lodginghouse, or half a dozen of them; and it only needs to be shown how
they are worked for the example to be copied everywhere——"
"And when do you go, Vincent?" she asked, with downcast eyes.
"Oh, I am not sure yet," he made answer cheerfully. "Of course, I ought
in duty to go; but it will cost me half what I shall get for the
article. However, that is neither here nor there. But if this is to be
our last night together for a little while, Maisrie," he went on, to
keep up his complacent acquiescence in this temporary separation, "you
might give us a little music—won’t you?—you haven’t had the violin out
of its case for a long time."
She was very obedient. She went and got the violin—though she was in no
playing or singing mood.
"What, then, grandfather?" she said when she was ready.
"Whatever you please."
Then she began, and very slowly and tenderly she played the air of a
Scotch song—"Annie’s Tryst." It is a simple air, and yet pathetic in
its way; and indeed so sensitive and skilful was her touch that the
violin seemed to speak; any one familiar with the song might have
imagined he could hear the words interpenetrating those vibrant notes—
Public-domain text, read in full here on John Shaqi.
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