Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
General
Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
Recitations
I had thought it all over as I took the Easter lilies from my
window-shelf and wrapped them in thick papers and hid them out of the
storm under my cloak. I knew there would be no other flowers in their
wretched room. How endless was the way to this East-Side tenement house!
No elevated roads, no rapid transit across the great city then as there
are now. At last we reached the place. On the street stood the
canvas-covered hearse, known only to the poor.
We climbed flight after flight of narrow dark stairs to the small upper
rooms. In the middle of the floor stood a stained coffin, lined with
stiff, rattling cambric and cheap gauze, resting on uncovered trestles
of wood.
We each took the mother's hand and stood a moment with her, silent. All
hope had gone out of her face. She shed no tears, but as I held her cold
hand I felt a shudder go over her, but she neither spoke nor sobbed.
The driving storm had made us late, and the plain, hard-working people
sat stiffly against the walls. Some one gave us chairs and we sat close
to the mother.
The minister came in, a blunt, hard-looking man, self-sufficient and
formal. A woman said the undertaker brought him. Icier than the pitiless
storm outside, yes, colder than ice were his words. He read a few verses
from the Bible, and warned "the bereaved mother against rebellion at the
divine decrees." He made a prayer and was gone.
A dreadful hush fell over the small room. I whispered to the mother and
asked: "Why did you wait so long to send for me? All this would have
been different."
With a kind of stare, she looked at me.
"I can't remember why I didn't send," she said, her hand to her head,
and added: "I seemed to die, too, and forget, till they brought a
coffin. Then I knew it all."
The undertaker came and bustled about. He looked at myself and Parepa,
as if to say: "It's time to go." The wretched funeral service was over.
Without a word Parepa rose and walked to the head of the coffin. She
laid her white scarf on an empty chair, threw her cloak back from her
shoulders, where it fell in long, soft, black lines from her noble
figure like the drapery of mourning. She laid her soft, fair hand on the
cold forehead, passed it tenderly over the wasted delicate face, looked
down at the dead girl a moment, and moved my Easter lilies from the
stained box to the thin fingers, then lifted up her head, and with
illumined eyes sang the glorious melody:
"Angels, ever bright and fair,
Take, oh! take her to thy care."
Her magnificent voice rose and fell in all its richness and power and
pity and beauty! She looked above the dingy room and the tired faces of
men and women, the hard hands and the struggling hearts. She threw back
her head and sang till the choirs of paradise must have paused to listen
to the Easter music of that day.
She passed her hand caressingly over the girl's soft dark hair, and sang
on--and on--"Take--oh! take her to thy care!"
Public-domain text, read in full here on John Shaqi.
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