Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
General
Standard Selections: A Collection and Adaptation of Superior Productions from Best Authors for Use in Class Room and on the Platform
Recitations
When the Cows Come Home _Mitchell_. 391
V
DRAMATIC, NOT IN THE DRAMA
Confessional, The _Anon._ 395
Jean Valjean and the Good Bishop _Hugo_. 400
Lasca _Anon._ 404
Michael Strogoff _Verne_. 408
Mrs. Tree _Richards_. 414
Portrait, The _Lytton_. 423
Tell-tale Heart, The _Poe_. 426
Uncle, The _Bell_. 431
VI
SCENES FROM THE DRAMA
Beau Brummell, Act I, Scene I; Act II, Scene 3 _Jerrold_. 468
Bells, The, Act III, Scene I _Williams_. 437
Lady of Lyons, The, Act II, Scene I; Act III,
Scene 2 _Lytton_. 441
Pygmalion and Galatea, Act I, Scene I; Act II,
Scene I _Gilbert_. 493
Rip Van Winkle, Act I, Scene I; Act II, Scene I _Irving_. 449
Rivals, The, Act I, Scene 2; Act II, Scene I;
Act III, Scene I; Act IV, Scene 2 _Sheridan_. 454
Set of Turquoise, The, Act I, Scene I; Act I,
Scene 2 _Aldrich_. 478
She Stoops to Conquer, Act II, Scene I _Goldsmith_. 486
INDEX OF AUTHORS 509
STANDARD SELECTIONS
I
NARRATIVE, DESCRIPTIVE, PATHETIC
THE ARENA SCENE FROM "QUO VADIS"[1]
HENRYK SIENKIEWICZ
The Roman Empire in the first century presents the most revolting
picture of mankind to be found in the pages of history. Society founded
on superior force, on the most barbarous cruelty, on crime and mad
profligacy, was corrupt beyond the power of words to describe. Rome
ruled the world, but was also its ulcer, and the horrible monster, Nero,
guilty of all hideous and revolting crimes, seems a fit monarch for such
a people.
A few years ago appeared "Quo Vadis?" the story from which this
selection is made. The book attained so great a popularity, that it was
translated into almost every tongue. In spite of its many faults, it
invited the attention, and, although it shocked the sensibilities, when
its great purpose was understood it melted the heart.
The author drew a startlingly vivid and horrible picture of humanity at
this lowest stage, and in conflict with it he showed us the Christ
spirit.
The extract is the story of how the young Vinicius, a patrician, a
soldier, a courtier of Nero, through the labyrinth of foul sin, of
self-worship and self-indulgence, with love for his guide, found his
way home to the feet of Him who commanded, "Be ye pure even as I am
pure."
Public-domain text, read in full here on John Shaqi.
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