Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"You're all right, little woman."
"Yes, I know," trying not to smile, "I'm all right when it don't cost
nothing and when it comes to the dirty work of trying to make two
ends meet."
"You're certainly a splendid manager. No one can take that away from
you."
"Well, I wish you would both appreciate it a little more."
"We do appreciate it, don't we, Lilly?"
"Yes, papa."
Her second year in High School, Lilly was kept out for five weeks by an
attack of typhoid fever.
An aversion for physical shortcoming, from her mother's occasional
headaches to the mortally afflicted Mr. Hazzard with the great chronic
sore crisscrossed with court plaster at the end of one of his eyes,
amounted in Lilly to something actually Indian.
"Oh, mamma, if I had a headache, I wouldn't always be talking about it.
People aren't interested."
"I'm going to tell your father when he comes home to-night what a
sympathetic daughter I have. If ever I fall sick the City Hospital will
be the place for me. When I see the way that Flora Kemble carries her
mother around and the way my own daughter sympathizes with me. If I
don't tell your father this night!"
It was this queer little congenital urge that kept Lilly on her feet for
two weeks after the malady had hold of her. With a stoicism that taxed
her cruelly, she would march smilingly off to school, a bombardment of
pains shooting through her head, her hands and tongue dry, a ball and
chain of inertia dragging at her ankles.
"Lilly, what is the matter? Why don't you eat your bread and butter
after school? Has Mrs. Schum said anything?"
"No, no, mamma. I'm not hungry, that's all."
"Funny. Open the closet. There is a basket of oranges behind your
father's overcoat, and a bag of baby pretzels, too."
"Goodness! mamma, if I was hungry, I'd eat."
"Don't you feel well, Lilly?"
"Of course I feel well, mamma. Why shouldn't I?"
But next day, at her after-school hour of practice, a small discordant
crash broke suddenly in upon "Chaminade's Scarf Dance" and Mrs. Becker's
rhythmic rocking above. Lilly had fainted, with her head in her arms and
face down among the keys.
Followed two weeks that crowded up the little back parlor with anxiety,
the tension of two doctors in consultation, and a sense of hysteria that
was always just a scratch beneath the surface of Mrs. Becker. She would
break suddenly into loud and unexpected fits of crying, crushing her
palms up against her mouth; would waken from a light doze beside the
bed, on the shriek of a nightmare, and have literally to be dragged from
the room. She harassed the doctors with questions that only the course
of the disease could answer.
The crisis came in the watches of the night, Lilly very straight and
very white and light of breathing in the center of her parents' bed, her
glossy hair in a thick plait over each shoulder, her fine white and
developed chest hardly rising.
"O God! help me to live this night! Ben! Ben!"
Public-domain text, read in full here on John Shaqi.
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