Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
Tears were rare with Lilly, but a tremor waved her voice.
"I think you're horrid, Flora Kemble. Anyway, he's more worth while
being stuck on than Eugene Bankhead. He's just--just middle-class. His
future is to work in Slocum-Hines's hardware store, like his father."
"Well, that's more of a man's job than sitting around in a schoolroom
doing lady's work. Papa says Eugene's father is a five-thousand-a-year
man. Eugene has all the spending money he wants and they have a
conservatory in their house."
"Well, I'd rather be Lindsley than Eugene; besides, he's a kid hardly
out of short trousers."
"Silly, you don't think it's Eugene I'm stuck on, do you? His brother
Vincent is a big man down at Slocum-Hines's, too, and a catch. I'm going
to meet him some day. Lindsley! Ugh! I like a little sponduliks thrown
in with a fellow. Lindsley's elbows shine."
For the most part the Board of Education drew upon the offspring of its
own system for teaching talent, occasionally letting in an artery of new
blood. Lilly's second year in High School such an infusion took place in
the form of one H. Horace Lindsley, the young master of arts, his degree
rather heavy upon him, dawning blondly and behind high-power pince-nez
upon the English department.
Sweet sixteen capitulated to English literature. The double wave of Mr.
Lindsley's hair, the intellectual rush of very long, white teeth to the
front, somehow mitigating for the sins of a curriculum that could
present Gorboduc, and _Friar Bacon_ and _Friar Bungay_, to young minds
illy furrowed for such seed.
Notwithstanding the literary odor with which Mr. Lindsley sprayed
himself as he sprayed his handkerchief with a domestic scent called
"Sesame and Lilies," his neoclassic determination to write the American
_Iliad_ must have died painlessly when his iambically disposed feet
ventured too deeply into the quagmire of pedagogy, from which he was not
to emerge. But for the first time in her life Lilly was hearing her name
pronounced by one who rolled it under his tongue like a lollypop. He
rolled all names quite so, but in her beatitude she was only conscious
of her own as it candied. Besides, his eyes, through the pince-nez, had
a gimlet, goosefleshing quality; he recited "Straits of Dover" to a
class of young women with rapt adenoidal expression when he should have
been inoculating them with the bitter serum of Burke's Conciliation
Speech, and walked to school of wintry mornings without an overcoat;
skates and the _Areopagitica_ under his arm.
It was undeniable that at this stage Lilly had veered unaccountably to
authorship, her after-school practice hour gouged into by a suddenly
stimulated pen.
"Papa, I know my ambition!"
Mr. Becker let fall his newspaper to his knee, glancing up over the rim
of his reading glasses.
"What's it now, daughter?"
Public-domain text, read in full here on John Shaqi.
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