Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
It was after this incident that a half plan, long dormant, lifted its
head. Every day in her comings and goings through the wide fireproof
corridors of the Forty-second Street building a sign on a ground-glass
door waved at her like a flag:
MISS NELLIE TERRY
Playbroker
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She had little doubt of her ability to launch out into a scheme of this
sort for herself and liked to incubate the idea in the back of her head,
going so far as to inspect a tiny office on the fifteenth floor,
mentally furnishing it up, and visualizing her name in neat black
letters on her own ground-glass door.
She did broach the subject to Zoe one evening, who, with her head
wrapped in a brilliant fez improvised out of an old cushion top, stood
before the mirror, attitudinizing her part in school entertainment.
"No! Don't go into anything tin horn like that! I hate for you to keep
playing _second fiddle._"
In the pause that followed, hardly perceptible enough to hold the drop
of a pin, Zoe flashed toward her mother, the colossal ego of her youth
somehow penetrated for the moment.
"Why, Lilly--I--I mean--You know what I mean--"
"Of course I know what you mean, dear. Second fiddle!"
And so what with Zoe's growing demands and Lilly's rooted fear of any
jeopardy to them, time marched on rather imperceptibly, except that
Lilly thinned and whitened a bit, slendering down, as it were, to more
and more sisterly proportions as her daughter shot up to meet her. They
were shoulder to shoulder now, if the truth were known, Zoe a little in
the preponderance.
Meanwhile, Zoe was growing restive of the somewhat irksome limitations
of the Ninety-first Street apartment. She complained that the room was
oppressive for her long hours of study and practice. Visits to the Daab
studio, faithful in effect to a Doge's palace and where she was more and
more a favorite, and also to the pretentious homes of one or two school
companions, had an upsetting effect upon her. The long, gloomy neck of
hallway depressed her and she voiced bitterly a secret aversion of
Lilly's for the single bathroom with the ugly wooden floor and shallow
bathtub. "Dump" she called the little flat, her brilliant blue gaze
blackening up.
"I can't have the girls and boys visit me in this little two-by-four,
dear. It's a dump!"
And so early in the run of "Who Did It?" the little group moved again.
This time to a strictly modern, pretentious apartment in West End
Avenue, whose upper apartments boasted a river view and three baths and
rented as high as four and five thousand dollars a year.
For twelve hundred Lilly obtained the ground-floor rear, no view, but
five fairly large rooms and two capacious baths. And since such a house
takes its tone from its highest-priced tenants, they enjoyed with them
the uniformed hall service, the ornate entrance _de luxe_ and foyer
_de trop_.
Public-domain text, read in full here on John Shaqi.
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