Star-Dust: A Story of an American GirlHurst, Fannie
General
Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
In lieu of maid, Harry again occupied those quarters, his grandmother
sleeping on a davenport in the sitting-dining-room. There were no
roomers, Lilly carrying the resultant deficit.
She and Zoe again shared what corresponded to the parlor, this time a
fairly large room, with alcove curtained off for sleeping quarters. They
furnished it themselves, quite charmingly, too, and with a consensus of
taste except where Lilly gave way to Zoe's really superior intuition.
There were plain ecru walls, not papered, but, at Zoe's instance,
painted and roughened up with a process called "stippling." The two-tone
brown rug. An overstuffed couch of generous proportions and upholstered
in a nicely woven imitation of Flemish tapestry. Along the back of this
piece, which occupied virtually the center of the room, was a long,
narrow table the exact length of the couch, with a pair of Italian
polychrome candlesticks, gift of Gedney Daab, at either end.
A piece of old red brocade hung over the fireplace, covering the ugly
mirror, and facing it a brown-rep fireside chair, coarse tan fishnet
curtains, a pair of huge black-velvet floor cushions with orange-colored
balls in each center, bespeaking a new art era which was dawning as
colorfully and as formlessly as a pricked egg yolk.
An upright piano was stacked with music, and, in spite of Lilly's
argument for them, no pictures on the walls, only a brilliant panel
portrait of Zoe, signed Gedney Daab, her young form in faint profile
against a background of cloth of gold, the face up-flung to a flow of
sunlight that crossed the picture in a churchy ray.
"If we cannot have originals or etchings, we won't have any. I hate
middle-classness."
"But, Zoe, dear--a few good prints. 'The Age of Innocence'--"
She kissed her mother on the mouth with all the outrageous patronage of
youth.
"You're a darling, Lilly, but they just aren't doing it that way any
more, dear."
So there were no pictures.
At the time of this move, Harry had been holding the position of clerk
at the cigar, magazine, and book concession of one of the newest and
noisiest of Broadway's terrific commercial hotels.
The hours were difficult, from noon to midnight, but within the
seventeen months he had advanced from fifteen to twenty-five dollars a
week. A new, a surprising spruceness had laid hold of him. He took to
exceedingly tall small collars and vivid neckwear, his suit very narrow
and making him look less than ever his years.
Public-domain text, read in full here on John Shaqi.
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