Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
One day when the strain of holding together the precarious threads of
the situation was becoming almost more than she could bear, and the end
of the ten-day vacation period she was allowing herself from the office
was at hand, Lilly spread three matinee tickets out on the table of a
tea room where the five of them were lunching.
"Zoe, you and your grandparents are going to the Hippodrome this
afternoon. Albert and I will take a walk or a drive and meet you at the
hotel afterward."
"Mother, you come, too."
"No, Albert, Lilly's right. I want this thing settled. I want something
decided or I'll go mad. My husband has got me muzzled; I'm afraid to
open my mouth; but if I don't know something soon, I'll go crazy. Why
are we here? When are we all going back? I don't like it here. I can't
stand the noise. My servant girl is out there eating me out of house and
home. I didn't even lock the grocery closet; that is the state of
excitement I left home in. Something has got to be settled. The minute I
open my mouth to talk about what is in the back of all our heads,
everybody shushes me up. Now you two go and talk it out. I want to go
home. I want us all to go home. I'm a wreck. I--"
"Carrie--"
"Oh, I'll shut up! Next time you travel with me, get me a muzzle. All
I'm good for is to bear the brunt of everything. You've dribbled my head
full of enough these last seventeen years to drive any woman but me
crazy. But with her, it's a soft mouth. I'll shut up, but for God's sake
settle things. I'm going crazy. I can't stand it."
The look of one trapped settled over Albert,
"I think I'd rather walk," he said; "those cabs are reckless and the
meters run up so."
"Don't curl up your lips so, Lilly, over a little economy. Albert's
right. What good does it do you to earn, the way you spend? Your husband
has forty thousand dollars to show, and what have you to show? Taxicab
rides don't draw any interest. Don't be so ready to curl up your lips."
"Why, mamma, you imagine things!" And to Albert, "Of course, let's
walk."
For two hours, then, oftentimes stopping to face each other, they paced
the wind-swept rectangle of the reservoir in Central Park, spring out in
the air, but quite a tear of breeze across their high place.
He was sullen, casuistic, and impenetrable as a sea wall under a
dashing, and the thought came to her that had he presented any other
surface it would have been easier.
"Well, Albert," she began, facing him there in the wide afternoon light,
"what is there that we two can say to each other?"
"Words," he said, stodgy in his bitterness, "mean nothing against
seventeen years."
"You're right. And yet--I want you to know, Albert--before you go
across--"
"Don't be too sure you'll be rid of me that way."
"Or before you go back home--that she is yours as much as mine and--"
"Generous," he said, dryly.
She could have beaten her head with a sense of futility.
Public-domain text, read in full here on John Shaqi.
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