Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"Mamma, don't stare so."
"Don't criticize everything I do."
At one of these concerts Lilly shot out her hand suddenly, closing it
over her mother's wrist.
"Mamma, there's Lindsley. See, down there in the fourth row."
"Who?"
"My English teacher. See, polishing his eyeglasses."
Mrs. Becker sat straight, chin out like an antenna.
"Is that him?"
"Yes, that's he."
"I don't see anything so wonderful about him. He needs a haircut."
"Oh, mamma, you think all men have to wear their hair short and ugly
like papa and Uncle Buck. In the East men look like that."
"The idea! A man calls himself a man coming to a matinee like this. Your
papa ought to know that you have a sissy like him on your mind. Such a
looking thing! Ugh!"
These recurring intimations could sting Lilly almost to tears.
"Oh, mamma, that's just the--the meanest thing to say. Can't I show you
my English teacher without having him on my mind?"
"I never could stand a man whose teeth stick out. He looks like a
horse."
"Papa's teeth stick out."
"Yes, but just one, and his mustache hides that. I only hope for you,
Lilly, that some day you get a man as good as your father."
"How did papa propose to you, mamma? What did he say?"
Even Mrs. Becker could flush, quite prettily, too, her lids dropping at
this not infrequent query of Lilly's.
"It's not nice for young girls to ask such questions."
"Go on, mamma, what did he say?"
"I don't remember."
The overture broke in upon them then, a brilliantly noisy one from
Tschaikowsky that bathed them in a vichy of excited surf.
Settling with her head snuggled against her fur tippet, the back of her
neck against the chair top, Lilly could feel herself recede, as it were,
into a sort of anagogical half consciousness, laved and carried along on
currents of melody that were as sensually delicious as a warm bath. Her
awareness of Lindsley on a diagonal from her so that she could see his
profile hook into the music-scented dimness, ran under her skin like a
quick shimmer.
The proscenium arch curved again into her consciousness, herself its
center and vocal beyond the powers of the human organ.
The slamming up of chairs and mussy shuffling into wraps recalled her.
It was indescribably sad, this swimming up to reality. The buttoning of
her little tippet. The smell of damp umbrellas. Then the jamming down
the aisle toward the late and rainy afternoon. At the door they were
suddenly crushed up against Horace Lindsley, his coat collar turned up
about his ears.
"Miss Becker," he said, by way of greeting, nodding and showing his
teeth.
Her heart became a little elevator dropping in sheer descent.
"Oh--how--do--you--do?" They were pushed shoulder to shoulder, and, to
Lilly's agony, her mother's voice lifted itself in loud concern.
"For pity's sake, look at that downpour, will you? I hope your father
has the good sense to wear his rubbers. Ouch! Don't knock me
down, please."
"Mamma--please. Mr. Lindsley, I want you to meet my mother."
Public-domain text, read in full here on John Shaqi.
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