Star-Dust: A Story of an American GirlHurst, Fannie
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Star-Dust: A Story of an American Girl
Hurst, Fannie
Entertainers -- United States -- Fiction
"Then what is yourself? For God's sake tell us what? Anything to end
this state of affairs."
"I'm suffocating here. Let me make something out of myself."
"Listen to her, Ben. Make something. Her stories come back from the
editors. Her teacher keeps telling me her voice isn't ready yet. Miss
Lee says her piano technique is lazy--"
"Then let me travel--college--anything."
"She thinks we're millionaires, Ben."
"Lilly, Lilly! What is the young generation coming to?"
"I wish I was dead. Dead," cried Mrs. Becker, beating at the table until
the dishes shivered. Danger lights sprang out in little green signals
around about the flanges of her nose. She was mounting to hysteria.
"Lilly, aren't you ashamed to torture your mother like this?" cried Mr.
Becker, his voice shot through with what for him amounted to a pistol
report. "Comfort your mother. Apologize at once!"
"Mamma, I'm sorry! I am, dear."
"You would think we were plotting against her."
"Now, now, Carrie, Lilly doesn't mean all she says."
"But she eats my life out."
"She wants to please us. Don't you, Lilly?"
"Y-yes, papa--"
"Now let us see if things can't run smoother in our little home, eh,
Lilly? We'll all try and do each his part, eh, Lilly?"
"Y-yes, papa."
"It's late," cried Mrs. Becker, suddenly, on the single gong of half
after seven, and, ever quick and kaleidoscopic of mood: "Katy Stutz will
be here any minute. That's her now. Run upstairs, Lilly, and take the
top off the sewing machine and lay out the white organdie. Quick, Lilly.
I want you to have it without fail for to-morrow night."
CHAPTER IX
It was at this controversial gathering of young people at the home of
Flora Kemble that Lilly met, for the first time, Albert Penny.
The Kemble home lent itself gracefully to occasions of this kind, the
parlor and reception hall opening into one, and the impending
refreshments in the dining room shut off with folding doors. There was
more of ostentation in the Kemble home. More festooning of fringed
scarfs, gilt chairs, and a glass curio cabinet crammed with knickknacks.
"Dutch as sauerkraut," was Mrs. Becker's indictment; and Flora Kemble
came under the gaucherie of the impeachment, too.
She had attained tall and exceedingly supine proportions, wore pinks and
blues and an invariable necklace of pink paste pearls to fine advantage,
and a fuzz of yellow bangs that fell down over her eyes, only to be
repeatedly flung back again.
Again MRS. BECKER (who could be caustic): "She makes me so nervous, with
her hair down over her eyes like a poodle dog, that I could scream."
Nevertheless, at eighteen Flora's neat spiritous air lay calm as a
wimple over her keenly motivated little self. The same apparently
guileless exterior that had concealed her struggle along a road lit with
midnight oil toward her graduation, enveloped the campaign of strategy
and minutiae that had resulted victoriously in her engagement to Vincent
Bankhead, assistant credit man to his father.
Public-domain text, read in full here on John Shaqi.
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