"And you can land with some good company if you just make a stab at it.
Your eyes and that trick of looking up under your eyebrows are just the
type for these sob leads, and you've got a good photographic face: a
_good_ face for it," he emphasized generously. "And your figure couldn't
be beat. Believe me, I know. You ought to see some of them Janes--and at
that, they manage to get by with their stuff. A little camera experience,
under a good director that would bring out your good points--I was going
to spring the idea before, but I knew dad wouldn't stand for it."
"But we've got to go and live on that claim. We've _got_ to."
Vic's face purpled. "Say, are you plumb _bugs_? Why--" Vic gulped and
stuttered. "Say, where do you get that stuff? You better tie a can to it,
sis; it don't get over with me. I'm for screen fame, and I'm going to get
it too. Why, by the time I'm twenty, I'll betcha I can pull down a salary
that'll make Charlie Chaplin look like an extra! Why, my grin--"
"Your grin you can use on the goats," Helen May quelled unfeelingly. "I
only hope it won't scare the poor things to death. You needn't argue
about it--as if I was crazy to go! Do you think I want to leave Los
Angeles, and everybody I know, and everything I care about, and go to New
Mexico and live like a savage, and raise goats? I'd rather go to jail, if
you ask me. I hate the very thought of a ranch, Vic Stevenson, and you
know I do. But that doesn't matter a particle. Dad--"
"I told you dad was crazy!" Vic's tone was too violent for grief. His
young ambitions were in jeopardy, and even his dad's death must look
unimportant alongside the greater catastrophe that threatened. "Do you
think, for gosh sake, the whole family's got to be nutty just because he
was sick and got a queer streak?"
"You've no right to say that. Dad--knew what he was doing."
"Aw, where do you get that dope?" Vic eyed her disgustedly, and with a
good deal of condescension. "If you had any sense, you'd knew he was
queer for days before it happened. _I_ noticed it, all right, and if
you didn't--"
Helen May did not say anything at all. She got up and went to her room
and came back with Peter's last, pitiful letter. She gave it to Vic and
sat down again on the arm of the Mission chair and waited, looking at him
from, under her lashes, her head tilted forward.
Vic was impressed, impressed to a round-eyed silence. He knew his dad's
handwriting, and he unfolded the sheet and read what Peter had written.
"I found that letter in--his hand--that morning." Helen May tried to
keep her voice steady. "You mustn't tell any one about it, Vic. They
mustn't know. But you see, he--after doing that to get the money for me,
why--you see, Vic, we've _got_ to go there. And we've got to make good.
We've got to."
Public-domain text, read in full here on John Shaqi.
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